The Gospel According to the Meninblack (sometimes referred to as just The Meninblack) is the fifth album by English rock band the Stranglers, an esoteric concept album released 9 February 1981[10][11] on the Liberty label. The album deals with conspiratorial ideas surrounding alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier The Raven album and subsequent 1980 single-release "Who Wants the World?" had also explored it.
History
The album is an elaboration of concepts first introduced by the band on the aforementioned track from their preceding album, The Raven. Hugh Cornwell, former singer-songwriter and guitarist with the group, has stated his belief that the album is the pinnacle of the Stranglers' artistic and creative output, and he cites it as his favourite album by the band.[12] In a 2022 interview promoting his solo release Moments of Madness Cornwell reiterated this position saying "I think that we were all at the top of our game when we made ‘Men in Black’ and it comes through."[13] The Stranglers' bassist, Jean-Jacques Burnel, shares this opinion, stating in a 2014 interview "It was a bit of a low point when The Meninblack came out and it wasn’t regarded as the masterpiece that I thought it was."[14] Burnel regards the album as often techno in essence,[5] though The Meninblack predates the emergence of that genre by some years.
The single releases from the album were "Thrown Away", which reached UK chart position 42[15] and "Just Like Nothing on Earth", their first single to miss the top 50.[10]
The opening instrumental "Waltzinblack" was originally intended to be the second single release from the album, but was withdrawn by Liberty, which deemed it "unrepresentative".[10] It was later used as the theme music for Keith Floyd's BBC TV series. The band developed a tradition of using the track to open their live performances.
The album initially sold around 50,000 copies, their worst-selling UK album to date,[10] peaking at number eight on the UK Albums Chart; it spent five weeks in the listings.[15]
In a 2015 interview on British TV, Burnel stated that the band experimented with heroin to help their creative process, and this album was the result.[16]
Legacy
Chris Roberts of Classic Rock writes that the Stranglers "retained full artistic freedom, and in The Gospel According to the Meninblack made what some have described as the first goth album, and others as the first techno album."[17] Rob Hughes, also of Classic Rock, believes it to be "[t]he closest The Stranglers ever got to a full-on prog album," adding: "In the almost total absence of guitars, synths and electronic effects dominate, be it on the very strange 'Manna Machine' or the fairground-like 'Waltzinblack'."[18]
Burnel remains fond of the album for being "completely off-the-wall." He believes that while the album is now sonically "quite modern", at the time the album was viewed negatively because it was by the Stranglers, adding: "It was never regarded as an art album, because people just didn't see us in that light, apart from Billboard's reviewer who said it was a work of genius. If you're going out having punch-ups, being physical savages, you're not allowed to have intellectual pretensions. But we had a foot in both camps, really."[17]Hugh Cornwell considers it "probably" his favourite Stranglers album, "Because I like the underdog. It underachieved. And I love the spaceships landing."[17]
Track listing
All tracks written and arranged by the Stranglers.
Self-released by the Stranglers, The Gospel According to the Meninblack received a deluxe vinyl reissue in 2018, limited to 1000 numbered copies. The original 10-track album is coupled with a bonus 12-track album, entitled The Meninblack - Revelations, which features non-album singles, associated B-sides, demos, alternate versions, live tracks, and the brass band reworking "Marchinblack".[20]
The Stranglers – producer (all tracks, except 2014 and 2018 live tracks and "Marchinblack")[24]
Alan Winstanley – producer ("Bear Cage" and "The Meninblack (Waiting for 'Em)"), engineer ("Bear Cage")[24]
Gary Edwards – engineer ("Who Wants the World")[25]
Laurence Diana – engineer ("Who Wants the World")[25]
Steve Churchyard – producer ("G.m.B.H")[25], engineer ("Top Secret", "Maninwhite", "Vietnamerica",[25] "G.m.B.H", "The Meninblack (Waiting for 'Em)", "Bear Cage")[24]
Louie Nicastro – producer, mixing (2014 and 2018 live tracks and "Marchinblack")[24]
Notes
^"Tomorrow Was the Hereafter" was released by S.I.S., the official Stranglers fan club, available via mail order throughout the 1980s. The track was recorded in March 1976 at Foel Studio, Wales.
^"The Freezer" is an early instrumental version of the album track "Manna Machine".
^"Marchinblack" is a remix of "Waltzinblack", produced for the intro music to the Stranglers' 2016 "March On Tour".
^ abcdeTwomey, Chris (1992). The Stranglers - The Men They Love To Hate. EMI Records Ltd. pp. 102–104.
^Burbeck, Rodney, ed. (24 January 1981). "Stranglers' LP and tour"(PDF). Music Week. London, England, UK: Music Week Ltd.: 3. ISSN0144-5782. Archived from the original(PDF) on 9 March 2021. Retrieved 6 October 2023. The Stranglers release their sixth album for Liberty Records on February 9.
^"The Meninblack". Hugh Cornwell in the Torture Garden. HughCornwell.com. Retrieved 13 May 2008.
^"The Stranglers BBC Breakfast 2015". BBC. January 2015. Archived from the original on 13 December 2021. Retrieved 4 March 2018. "We thought it would help the creative process and the end result was an album that I'm personally still very proud of, which was The Gospel According to the Meninblack.
