The film was referred to in M*A*S*H (1970), directed by Robert Altman.
Plot
US Army engineer Lt. Pryor's detachment is assigned to work with Greek troops during the Korean War. The Greek forces are led by Captain Charos and Lieutenant Niklas.
Real soldiers were cast as extras,[3] and all Greek characters were portrayed by actors of Greek descent. However, none are listed in the screen credits.[4]
Production
The film's original title was Baptism of Fire.[5] Victor Mature was to have been loaned to RKO for Split Second, but Fox decided to keep him to star in The Glory Brigade. Filming began on September 15, 1952.[6]
While filming a scene at Lake of the Ozarks, Missouri, a demolition charge exploded underneath a boat, killing the boatman and injuring two others.[7]
The Glory Brigade was Mature's first role as a combat soldier,[8] and it was the only film in which Lee Marvin wore glasses in all of his scenes.[9]
Background
The film is based on the exploits of the Greek Expeditionary Force. While the Greek government had intended to send a full brigade to Korea, the UN victories in the autumn of 1950 led the expeditionary force to be downgraded to a battalion consisting of just under 900 men, named the Spartan Brigade. It was placed under the overall command of the US 1st Cavalry Division and later under the overall command of US 3rd Infantry Division. Though small in number, they played a crucial role in a handful of ultimately important operations. The unit was awarded the Presidential Unit Citation by President Harry Truman, and led one American commander to say: "Other than the Brits and the Aussies, nobody else was with us as much as the Greeks."[10]
Reception
In a contemporary review for The New York Times, critic Howard Thompson wrote that the film is "short in general impact and conviction" but contains "unpretentious, graphic realization of battle tension and movement" and is commendable for its "frank, sincere plea for true democratic understanding and harmony."[11]
Lillian Blackstone of the St. Petersburg Times wrote: "It is forcibly told, with realistic fervor and hostilities that seem never-ending until the jubilation of final scenes."[4]
Film critic Leonard Maltin called the film "passable."[1] In his review for DVD Talk, Paul Mavis called it "[Disposable] entertainment posing as something important."[3] Robert J. Lentz wrote that it was a "routine war film with an agreeable premise."[9]
Richard Egan won the Golden Globe Award for Most Promising Newcomer – Male in 1953.[12]
The film was released on DVD by 20th Century-Fox's Cinema Archives.[3]
^Pryor, Thomas M. (1952-08-22). "METRO BARS LANZA FROM RADIO SHOWS". The New York Times. p. 12.
^THOMAS M. PRYOR (Aug 21, 1952). "HUSTON WILL FILM NOVEL BY CONRAD: Director-Producer Buys Rights to 'Matador,' Best Seller -- Author to Work on Script". The New York Times. p. 16.
^Sandler, Stanley (1995). The Korean War: An Encyclopedia. Taylor & Francis. ISBN0-8240-4445-2, pg. 136-138
^Thompson, Howard (1953-08-15). "The Screen in Review: 'Glory Brigade' at Palace Combines Good Fighting Scenes of Korean War With Plea for Harmony". The New York Times. p. 8.