1959 American film
The Five Pennies is a 1959 American biographical music drama film in VistaVision and Technicolor starring Danny Kaye as jazz cornet player and bandleader Loring "Red" Nichols. Other cast members include Barbara Bel Geddes, Louis Armstrong, Harry Guardino, Bob Crosby, Bobby Troup, Susan Gordon, and Tuesday Weld. The film was directed by Melville Shavelson.
The film received four Oscar nominations: Best Musical Scoring (Leith Stevens), Best Original Song (Sylvia Fine—Danny Kaye's wife), Best Cinematography (Daniel L. Fapp), and Best Costumes (Edith Head).
The real Red Nichols recorded all of Kaye's cornet playing for the film soundtrack. The other musicians in Red's band were not asked to provide their musical contributions, and the sound of his band was supplied by session players.[citation needed]
Plot
Red Nichols (Kaye) is a small-town cornet player who moves to New York City in the 1920s and finds work in a band led by Wil Paradise (Crosby). He meets and marries singer Willia Stutsman, a.k.a. "Bobbie Meredith" (Bel Geddes). Red and his friends Jimmy Dorsey, Glenn Miller, Artie Schutt and Dave Tough form their own Dixieland band called "The Five Pennies" (a play on Nichols' name, since a nickel equals five pennies). As their popularity peaks, the Nichols' young daughter Dorothy (Susan Gordon) contracts polio, and the family leaves the music business, moving to the balmier climate of Los Angeles, where Nichols works in the shipyards and both parents help Dorothy work on her recovery.
As a teenager, Dorothy (Tuesday Weld) learns of her father's music career and persuades him to make a comeback. His first attempts to play a horn (he threw his own treasured instrument into the San Francisco Bay in despair when Dorothy was ill) are a miserable failure. Eventually he listens to his wife and daughter, and practice restores his skill. His old friend Tony Valani (Guardino), now a huge success, gets him a gig to perform at a small club, with The New Five Pennies. Nichols, nervous and terrified of splitting his lip, is disappointed when he sees no other old friends in the audience. He opens the show, and after a few notes, “Won't you come home Bill Bailey?” echoes through the dark. The lights comes up, and it is Satchmo and his friends. Willa comes up on stage and tells him she has a surprise for him. Dorothy steps onto the dance floor without her cane and asks her father to dance. Willa sings “This little penny is to wish on...” while they do. Then Nichols takes his horn and plays “Glory Hallelujah!” His friends join in.
Cast
Music
Eleven composers are credited in the film.[2]
Reception
New York Times critic A.H. Weiler wrote that the "solicitous dramatization of the harried life and times of that noted jazz man, Loring (Red) Nichols, the tune-filled story... is highly palatable schmaltz served up with a Dixieland beat by some authentic performers, musical and otherwise." He found Kaye's performance particularly fine on many levels.[3]
See also
References
External links
