Dalí related that the painting was an interpretation of several dreams he had about Adolf Hitler – one had shown Neville Chamberlain's umbrella turning into a bat – a symbol from his childhood that filled him with fear.[3] The cut telephone cord depicted in the painting has been interpreted as the
communication disconnect between Chamberlain and Hitler.[4]
The painting was first exhibited in 1939 at the Julien Levy Gallery in New York City, where, priced at $1750 US dollars, it did not sell.[5][6] It was then reproduced in Life magazine's April 17, 1939 issue.[5]