The piece is divided into two movements, titled A New Day and Sri Moonshine, which are intended as homages to Lou Harrison and Terry Riley, respectively.[2] Adams described the process of composing the piece:
I wanted to express the moment, the so-called “shock of recognition”, when one reaches the edge of the continental land mass. On the Atlantic coast, the air seems to announce it with its salty taste and briny scents. Coming upon the California coast is a different experience altogether. Rather than gently yielding ground to the water the Western shelf drops off violently, often from dizzying heights, as it does at Big Sur, the stretch of coastal precipice midway between Santa Cruz and Santa Barbara. Here the current pounds and smashes the littoral in a slow, lazy rhythm of terrifying power. For a newcomer the first exposure produces a visceral effect of great emotional complexity.[3]
Adams originally intended for the piece to include a spoken component, and while studying California-related writings for inspiration, he discovered Jack Kerouac's novel Big Sur, with Adams finding that Kerouac's thoughts mirrored his own.[4] However, Adams ultimately decided to have the composition be scored for instruments only, stating: "I realized that what I had to 'say' was something that could only be expressed in music."[4]
Instrumentation
It is scored for a solo 6-string electric violin (with additional low C and F strings) and an orchestra with the following instruments.
The two harps are tuned in just intonation in B and E, respectively. The piano and the samplers are tuned in B just intonation.[5]
Reception
The 2003 premiere of The Dharma at Big Sur received a strongly positive review from theLos Angeles Times, in which Mark Swed wrote:
Mozart is lovely in Walt Disney Concert Hall; Stravinsky, sensational. But Disney's design — to say nothing of its heart, soul and sound — is of our town and time, our state and state of mind. It demands the same in music. Friday night, at the second of the three opening galas, it got just that with the premiere of John Adams' irresistible tribute to California, "The Dharma at Big Sur."[6]