The film was produced by Antonino Calderon, who was head of Image, an organization dedicated to providing more positive screen depictions of Mexican Americans. He met with Robert Howard, president of the NBC network and asked if he could make a film about an actual Chicano hero. Howard agreed. Calderon pitched several stories and Howard agreed to finance The Deadly Tower as it was about a Chicano police officer, Martinez. MGM were commissioned to make the movie with Calderon as producer, Richard Caffey as executive producer and David Goldsmith as production executive.[2]
In 1976, Martinez received an undisclosed out-of-court settlement[3][4] after suing the producers of the Deadly Tower for negative and racist depictions of his wife,[5]
portrayed in the movie as a nagging Hispanic woman; in fact, she is a blonde and blue-eyed German.
In 1990, Houston McCoy, one of two policemen who took part in killing Whitman, sued Turner Broadcasting System (which held the ownership of most of MGM's pre-1986 works) for $14 million for emotional distress and damage to his reputation, claiming the film caused him to become an alcoholic and lose self-respect by depicting him as a coward.[6]
Reception
Critical response
The Los Angeles Times called the film "highly effective" but wondered "no matter how well done is there any reason to relive that bloody moment of history."[2]
^
Kendall R. Phillips (2004). Framing public memory. University of Alabama Press. p. 81. ISBN978-0-8173-1389-0. Retrieved 2010-06-21. Both policemen who shot Whitman sued MGM after the made-for-TV movie was released. Martinez received a settlement; the other policeman, Houston McCoy, whose name was not used in the film, received nothing, even though the film portrays him standing by passively as the actor playing Martinez fires the fatal shot. Whitman's autopsy showed that it was McCoy's bullet that killed the sniper.
