The film was given a limited theatrical release in the United States on July 26, 1991, by Greycat Films. It received mixed reviews from critics and underperformed at the box office, but has since become a cult film.[1] For his performance, Newton was nominated for the Saturn Award for Best Supporting Actor.
Plot summary
Marty Malt (Judd Nelson) is an unhappy garbage man who moonlights as an atrociously unfunny standup comic. He lives in a dark, grimy, garbage-strewn urban netherworld, where a company named Blump's apparently owns everything. His best friend and fellow trash collector, Gus (Bill Paxton), is the only one who laughs at his jokes, and his sincerity is questionable. The obnoxiously exuberant Gus plays an accordion, which he always carries with him. Marty is seeing Rosarita (Lara Flynn Boyle), a waitress, but she doesn't seem too interested in him.
One day, Gus convinces a talent agent, Jackie Chrome (Wayne Newton), to check out Marty's act. Jackie isn't impressed. Marty's luck seems to take a turn for the worse when a large lump starts growing on his back. He goes to a quack doctor (James Caan), who calls him a wimp and puts a Band-Aid on the lump. The lump continues to grow, eventually becoming a full-sized arm. While Gus uses Marty's newfound freakishness to impress his morbidly obese girlfriends, a horrified Rosarita breaks up with Marty, and he gets fired from the club where he does his act.
Marty is despondent until Gus brings him to see Jackie, who, it turns out, has always dreamed of finding a real three-armed comic. Re-christened "Desi the Three-Armed Wonder Comic," and with Gus now providing musical accompaniment, Marty gets a fresh start on his career. Marty and Gus have a few semi-successful shows and eventually meet Hollywood talent agent Dirk Delta (Rob Lowe), who offers them a job. Marty, Gus and Jackie celebrate this big break and everything seems to be looking up until Marty wakes up the following morning and discovers his third arm has inexplicably vanished.
He goes with Gus to see Jackie, who is furious at first but calms down and decides to tell Dirk the truth upon Marty's suggestion. After calling Dirk and telling him the bad news, Dirk surprisingly asks them to send Gus to fill the spot with his accordion playing. Gus is ecstatic and leaves almost immediately. Marty is sad but gets his job back at the club and uses the story of his third arm in his act and finally gets a few laughs from the crowd.
The Dark Backward was the first screenplay that Adam Rifkin ever wrote.[2] He was just 19 years old when he was inspired to write it after watching a night of stand-up comedy in 1985.[3]
The Dark Backward grossed only $28,654 in North America.[6]
Critical response
On the review aggregator website Rotten Tomatoes, 45% of 11 critics' reviews are positive, with an average rating of 5.6/10.[7]Metacritic, which uses a weighted average, assigned the film a score of 48 out of 100, based on 7 critics, indicating "mixed or average" reviews.[8]
Janet Maslin of The New York Times stated, "The Dark Backward concentrates only on stomach-turning trivia and on the kind of exaggeratedly stupid behavior that amounts to directorial condescension. […] The film's efforts to say something about success and its capriciousness never succeed in rising above an elbow-in-the-ribs obviousness." Maslin opined that Judd Nelson "gives the film's best performance, which is not to say anything pleasant about the others."[9]
Kevin Thomas of the Los Angeles Times wrote, "The Dark Backward is ultimately a tale of liberation with the notion that only when you are truly free can you be truly funny. These may seem awfully sober thoughts for what looks to be a candidate for a midnight cult movie. However, for all its gross-out humor The Dark Backward is a work of real craftsmanship that builds well and boasts superlative production design, incorporating thrift-store kitsch from the past couple of decades, fine moody camera work and a driving, cockamamie carousel music score."[10]
Peter Travers of Rolling Stone commented, "Adam Rifkin wrote the script for this comedy six years ago when he was nineteen. The result would be more excusable if he had written it nineteen years ago when he was six." Travers also stated, "Instead of the high satire of How to Get Ahead in Advertising (in which a boil on Richard E. Grant's neck grows into a talking head), Rifkin has conjured up a new low in cinematic ineptitude."[11]
The film has gained a cult following over the years. In 2018, Rifkin said that "The Dark Backward is and forever will be my sentimental favorite. It is the only thing I ever wrote that isn't influenced by outside voices. Every script you write, to some degree, is influenced by the business at large. […] I wrote it purely from my heart. It was something I wanted to write because it was something I wanted to see. Because that will never ever happen again, that's why it holds such a place in my heart."[1]
