As described in a film magazine review,[2] an Egyptian Princess is infatuated with Karmet, a Syrian prince who is disguised as a merchant. He, however, loves Arvia, a dancer. The Princess plots to sacrifice Arvia to the sacred crocodiles. Arvia is saved by her father and united to Karmet. The princess weds Prince Tut, who afterwards becomes King of Egypt.
To give the film an authentic historical look, the film used double exposures on detailed paintings with blacked areas where actors would be added, and by filming through transparent painted glass for the background settings.[3][4]Originally titledTutankhamen and produced after the discovery of the tomb of Tutankhamun in November 1922, distributors in belief that public interest in the Egyptian king had waned requested a change in the title and plot.[5] As a result, the film was edited to change its focus from Prince Tut to the dancer Arvia.[5]
Preservation
With no copies of The Dancer of the Nile located in any film archives,[6] it is a lost film.
^Pardy, George T. (December 15, 1923). "Feature Previews: The Dancer of the Nile". Exhibitors Trade Review. 15 (3). New York: Exhibitors Review Publishing Corporation: 24. Retrieved April 27, 2022. This article incorporates text from this source, which is in the public domain.
Bryan, Bruce (October 1924). "Movie Realism and Archaeological Fact". Art and Archaeology. 18 (4). Washington, D.C.: Archaeological Institute of America: 131–144.
Munden, Kenneth White (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States, Part 1. University of California Press.