The Cisco Kid is a 1994 American Western comedy TV movie, based on the character of the same name created by O. Henry. The property had previously been adapted as the successful 1950s comedyWesterntelevision series, and several movies and serials from the 1930s to the 1950s.[1]
The Cisco Kid and Poncho are about to be executed by the French, who have taken over part of Mexico, when an attack on the prison by rebels allows them both to escape. Still chained together, they steal a burro and ride to a nearby village where they come upon a tax collector and several soldiers in the process of taking money from the villagers. The pair manage to overcome the soldiers, and using their guns, free themselves from the chains and rob the tax collector.
Pancho takes Cisco back to his village, where the pair inspire Mexican peasants to oust settlers from the Second French Empire. The action continues with gun battles, kidnapping, swordplay, humor and suspense.[4]
Just before its initial airing, Todd Everett of Variety praised the casting of Jimmy Smits in the role of The Cisco Kid as "ideal", and wrote that Cheech Marin as Pancho had "never been more appealing". He predicted that the film would have broad appeal.[6] Kim Newman of Empire stated that the film was 'a likeable cable revival for the old 1950s series Western character' and noted that it depicted Mexicans in a less stereotypical fashion than the original television series.[7] Nonetheless, Newman stated that it 'continues to depict the French (Bruce Payne, Ron Perlman) as effete sadists and the gringos (Tim Thomerson) as grungy swine'.[7]
Mick Martin and Marsha Porter of Video Movie Guide 1995 stated that it was an 'enjoyable, lighthearted Western...spiced with humor and enthusiastic performances by Jimmy Smits and Richard 'Cheech' Marin'.[8] Similarly, Ray Loynd of the Los Angeles Times stated that Smits played the Cisco Kid with an 'easy swagger and light romantic panache'.[9]
Terry Rowan described the film as a 'tongue-in-cheek comedy western filled with fast gunplay, narrow escapes, wild rides, battling armies and yes, some romance'.[4] Michael Pitts stated that a highlight of the film was the 'use of authentic locations depicting the rural Mexico of 1867'.[10]
