The Brass Teapot is a 2012 American fantasycomedy film directed by Ramaa Mosley.[2] The movie's script was written by Tim Macy, who also wrote the short story on which the movie is based.[3] The movie premiered at the Toronto International Film Festival on September 8, 2012, and was released into theaters and video on demand on April 5, 2013.[4]
Synopsis
John and Alice are a down-on-their-luck couple who come across a magical brass teapot capable of providing them with money. The only catch is that they must experience pain in order for the teapot to provide. They must then decide what they are willing to do (and what they are willing to suffer through) in order to gain financial security.
The Brass Teapot garnered negative reviews from critics. It holds a 31% approval rating on Rotten Tomatoes, based on 32 reviews, with an average rating of 4.7/10.[5] The Film.com review said: "Despite the sometimes patchy moments The Brass Teapot by and large squeaks by as an enjoyable entertainment." The Playlist commented that: "With the help of a talented cast, The Brass Teapot is able to coast on charm."
HitFix writes: "It is apparent that Ramaa Mosley has a voice, and that The Brass Teapot is a focused, controlled piece of storytelling that displays real control". The Wall Street Journal said: "Alice and John are good company — especially Alice, thanks to Ms. Temple's buoyant humor and lovely poignancy. The problem comes when the couple gets greedy, the gods grow angry and the tone turns dark. It doesn't stay dark, but getting back to the brightness is a painful process."
Nicolas Rapold of The New York Times criticized the film, saying that while the two lead characters were interesting, the "movie's best bits lose out to the requisite moral turnaround".[6] Rob Hunter of Film School Rejects commented that the darker points of the film's story line were "ill fitting" in contrast with the predominantly "comically light and slapsticky" tone of the overall movie.[7] In contrast, Peter Debruge of Variety gave a more positive review for the film, saying that Mosely "makes her low-budget enterprise look as slick as most midrange studio comedies, demonstrating herself a director with both imagination and technical ingenuity."[8]