The Bell was notable, particularly under the editorship of Seán Ó Faoláin, as an outspoken liberal voice at a time of political and intellectual stagnation, fiercely critical of censorship, Gaelic revivalist ideology, clericalism, and general parochialism.
Under Peadar O'Donnell (1946–54), The Bell became more left‐wing in content and irregular in frequency of publication but continued to produce material of high quality. W. R. Rodgers and Louis MacNeice were among the authors whose work sustained the magazine's connection with cultural activities in Ulster, in addition to which it repeatedly featured writing from various parts of Europe.[1]
In the course of its fourteen-year career, The Bell was variously subtitled "A Survey of Irish Life", "A Magazine of Creative Fiction", and "A Magazine of Ireland Today"; its concern with social and political matters gave rise to incisive commentaries on such topics as state censorship in Ireland, on which George Bernard Shaw wrote in an issue of 1945, the restrictive influence of the Church, and reactionary tendencies in Irish literature.[citation needed]
Having undergone financial difficulties which resulted in its temporary closure between 1948 and 1950, it finally ceased appearing in 1954. Along with The Dublin Magazine, The Bell is accounted [by whom?] the most important literary and intellectual journal of Ireland in the twentieth century.
The Bell Index[4], searchable database compiled at Framingham State University, USA, and placed with open access on its website providing the title and author of every item published between 1954 and 1940