The Beatnigs is the only album by the San Francisco band the Beatnigs, released in 1988.[2][3] It combined punk, industrial and hip hop influences.[4]
Production
Michael Franti wrote all of the lyrics to the songs; he also played bass.[5] The album was produced by the Beatnigs.[6] An enclosure explaining the origins of the band's name was included with the album.[7]
Spin wrote that the album mixed "the Last Poets’ severe rhetoric with the horrific industrial grinding of Einstürzende Neubauten."[10]Trouser Press said that "this striking San Francisco quintet explodes in a tight and danceable riot of industrial percussion, vocals and tape manipulations."[11]The New York Times called the album "a powerful conglomeration of taped sounds—speeches by Malcolm X, for instance—industrial noise made with saws, sirens and oil drums, and a conventional rhythm section."[5]
MusicHound Rock: The Essential Album Guide called it "the most interesting and innovative album any of Franti's three groups has made, loaded with sonic twists and turns."[6] The Spin Alternative Record Guide deemed it "an angrier warm-up to De La Soul a year later: choppy beats mingled with inflammatory news items, goofy how-to spiels, exhortations from Malcolm X and others, and twisted loops of electro-industrial din."[9]
Track listing
All songs written by the Beatnigs.
"(Welcome) - Television"
" C.I.A."
"(Instructions) - When You Wake Up In The Morning"
"(The Experience Of All Of Us) - Street Fulla Nigs"
" (Re-Classification) - Control"
"Malcolm X"
"Nature"
"Burritos"
"Rooticus Sporaticus"
"Who Is Doing This To All My People"
"Rules"
CD 'bonus tracks'
"Jazzy Beats"
"Pre-War America"
"Television" (Radio Edit)
"Television" (Remix)
Personnel
The Beatnigs
Henry Flood - congas, timbales, industrial percussion
Andre Flores - keyboards, sampling, vocals, industrial percussion
Michael Franti - vocals, bass, tape edits, industrial percussion
Kevin Carnes- vocals, tape edits, industrial percussion