The Beatles Anthology is a documentary television series on the career of the Beatles. It was broadcast on UK television in six parts on ITV between 26 November and 31 December 1995, while in the United States it was seen as three feature-length episodes on ABC between 19 and 23 November 1995.[1] It was released in greatly expanded form as an eight-volume VHS set and an eight-disc LaserDisc set on 5 September 1996. The series was re-released on DVD in 2003, with an 81-minute special-features disc.
Production history
The Long and Winding Road
An official documentary on the Beatles career had been in the pipeline as early as 1970. Long-time friend and Apple Corps manager Neil Aspinall had compiled footage of concert, interview, and television appearances from various sources around the world. From this archival footage, he assembled a 90-minute feature film which was tentatively titled The Long and Winding Road and was completed in 1971. At this point, none of the former members had any involvement with the project, and plans for its release lay dormant until 1980, when John Lennon made a statement as part of a legal deposition against the producers of the musical Beatlemania. "I and the other three former Beatles have plans to stage a reunion concert", he said, referring to an event that was to be filmed as a finale of The Long and Winding Road (which was now to be a television special).[2] According to Yoko Ono, the concert would have been held in England: "Just days before his brutal death, John was making plans to go to England for a triumphant Beatles reunion. His greatest dream was to recreate the musical magic of the early years with Paul, George and Ringo … (he) felt that they had traveled different paths for long enough. He felt they had grown up and were mature enough to try writing and recording new songs."[3] The alleged plan for a reunion was abandoned after Lennon was murdered on 8 December. Eric Idle was reportedly given a screening of the film in the late-1970s as research for his mockumentaryAll You Need Is Cash. In 2015, Aspinall's 1970 workprint for The Long and Winding Road would surface in a bootleg DVD that can now be viewed on the Internet Archive.[4][5]
Project resurrected
In 1992, the project was resurrected as a six-part documentary series. This time, the surviving members[6] were directly involved, giving interviews on film with Jools Holland. Lennon's interviews were sourced from archived footage. Also interviewed were insiders Neil Aspinall, the band's press agent Derek Taylor, and their long-time producer George Martin. The title of the documentary was now changed to The Beatles Anthology, as George Harrison was against naming the entire Beatles career after a Paul McCartney song. This new title was to be a working one but it eventually stayed, as it suited the parties concerned.[7]
A rough cut was completed in 1993 which was much more interview-based and focused on events, as opposed to the final cut, which included more concert and television performances.[8] This early version of the series has since leaked and been released via bootleg.
The documentary was broadcast on American television in three feature-length episodes comprising six abridged parts (two per episode) on Sunday 19 November, Wednesday 22 November, and Thursday 23 November 1995. It aired from 9 pm to 11 pm on ABC.[9] The documentary was released on VHS and Laserdisc the following year.
The Anthology was first shown on American television on ABC; the tagline for the network during the time was "ABeatles C".[10][11]
Critical reception
The documentary was met with generally positive reviews. Richard Buskin, author of The Complete Idiot's Guide to Beatles, commented that the retelling of the band's story was "extremely subjective" with the small lineup of only the four Beatles plus Martin, Aspinall and Taylor to voice their recollections.[12] McCartney, Harrison and Starr "provided insights into their legend from the mature perspective of men in their fifties", according to Buskin, while "Lennon's [interviews] mostly originated from when he was in his twenties or thirties."[12] When viewing the separate interviews, the three surviving Beatles did not always recall events the same way. Compromises had to be reached so that sensibilities were not offended, in particular with regard to events resulting in the 1970 breakup. Thus, Buskin stated, the result was not a definitive story of the Beatles' history, but rather a diplomatic celebration.[12]
New music
The plans for a concert were abandoned and replaced with the intention that the surviving three members would play some incidental music in between segments and interviews. It was then considered that the remaining Beatles should write some new songs for the project. Both McCartney and Harrison wrote some material which became the song "All For Love", but it was then decided to ask Yoko Ono if Lennon had left any unfinished material that they could work with. Ono gave McCartney cassette tapes in 1994 after they appeared together on stage at Lennon's induction to the Rock and Roll Hall of Fame. The tapes contained four song demos that Lennon had been working on: "Free as a Bird", "Real Love", "Now and Then" and "Grow Old With Me". The last one was left unfinished by the group,[13] but "Free as a Bird" and "Real Love" were completed with producer Jeff Lynne in 1994–95 and premiered during the Anthology's initial broadcast. "Now and Then" was completed in 2023.
Overdubbed footage of the Beatles performing "Love Me Do" in 1963, which merges at the very end into brief footage of Ringo playing drums in 1995 during the Anthology sessions.
Footage of live performance on Morecambe and Wise, recorded at ATV's Elstree TV studio's on Monday 2 December 1963, and broadcast on Saturday 18 April 1964 (8.25 pm).
Excerpts from the Royal Command Performance at the Prince of Wales Theatre on 4 November 1963, broadcast on TV and radio on Sunday 10 November 1963.
Includes John's "jewelry" comment as an introduction to "Twist and Shout": "For our last number, I'd like to ask your help. Would the people in the cheaper seats clap your hands, and the rest of you, if you'd just rattle your jewelry."
"All My Loving" – Played in the background of John saying: "We wanted to give people their money's worth with our records. Our policy was to put 14 tracks a side – it was brand new and never put singles on the albums. Everybody else who had a hit single made an album around it."
Footage of the Beatles arriving at Le Bourget Airport, Paris, on 14 January 1964.
"I Want to Hold Your Hand" Reaches No. 1 in The U.S. [5:50]
"I Want to Hold Your Hand" – Played in the background of footage of the Beatles at London Heathrow Airport, leaving for the US on 7 February 1964.
"One After 909" – Played over the credits.
Three (February '64 to July '64)
"Miami! That was just like paradise because we'd never been anywhere with palm trees." – Paul McCartney
Arrival in the U.S. – February 1964 [10:00]
Help! – Title song played at the beginning of each episode.
Footage of the Beatles arriving at the John F. Kennedy International Airport in New York, 7 February 1964. Voice of Beatles Manager Brian Epstein can be heard saying – "If there was a turning point in their career, a specific date on which the scope of their future was to be altered, then it was the day they touched down at Kennedy International New York to a welcome seldom equalled anywhere in history."
George commenting later: "... they said there was the least reported, or no reported crime. Even the criminals had a rest for ten minutes while we were on."
The Coliseum Concert – Washington D.C. [10:29]
Footage of the Beatles performing at the Washington Coliseum on 11 February 1964:
Footage from rehearsals for The Ed Sullivan Show, Miami, 16 February 1964
This Boy – Excerpts from the Beatles' second appearance on The Ed Sullivan Show.
"These youngsters from Liverpool, England ... Their conduct over here, not only as fine professional singers but as a group of fine youngsters will leave an imprint with everyone over here who has met them." — Ed Sullivan
Return to England [1:59]
I Want to Hold Your Hand – Footage of the Fab Four returning to England and meeting the press at the London Airport on 22 February 1964.
"They're Going to Put Us in the Movies" [2:56]
Paul: "... I'm talking about this progression with the Beatles. From the Stevedores' and Dockers' Union, the Cavern, better clubs. So films was one that we'd always thought of. ... We were interested in films and what happened was Brian started talking to people, knowing of our interest and he came up with Dick Lester's name."
Footage from the classic comedy short film Running Jumping Standing Still, directed by Richard Lester.
Paul: "... Dick came round. He was a bit of a musician, played jazz piano, so he was even more interesting. ... He got hold of Alun Owen, a Welsh playwright who'd written Last Tram to Lime Street. ... He picked up little quotes like 'He's very clean, isn't he?' He picked up the jokes and sarcasm, the Beatle humour, John's wit and each one of us, Ringo's laconic humour. He picked up our characters, which was good."
Footage of discussions on Bob Dylan and his music:
Paul: "He was our idol."
Ringo: "Bob was our hero. ... I heard of Bob through John. He played the records to me. It was just great."
George: "Not an idol but we heard his record; we'd listen to his album. It really gave us a buzz and we played it over and over again. ... I think it was Freewheelin'."
That Means a Lot – Played in the background during discussion of the group's busy schedule and lack of days off.
Slow Down (Williams) – Played in the background of footage of the Beatles returning from America, photographed at the London Airport on 21 September 1964, where they played 32 shows in 34 days in 24 different cities.
Feedback – "I Feel Fine" [3:50]
I Feel Fine – The group discussing the use of sound effects like feedback in their music:
George Martin: "John had mucked around with feedbacks for a while. Yes, it was intentional. ... I think it was the first time that feedback was used on a record. ... It was his idea, it was great."
George: "He figured out how to do it. We used to do it on stage then. ... In a way, he invented Jimi Hendrix."
Help! (Live on the Big Night Out TV show, Blackpool)
"Yesterday" [5:09]
Footage from the Big Night Out TV show, Blackpool – the Beatles' only British television appearance to promote Help!... and the first solo stage performance of Yesterday. Recorded and broadcast on Sunday, 1 August 1965 from the ABC Theatre, Blackpool from 9:10 to 10:05 pm
George: "They'd been writing since we were at school. They'd written all – or most of their bad songs before we got into the recording studio. I had to come from nowhere and start writing and to have something at least quality enough to put in the record with all their wondrous hits."
"Act Naturally" (Russell-Morrison) (Live on the Big Night Out TV show, Blackpool) — "Now something we don't often do. Give someone a chance to sing who doesn't often sing. And here he is. All out of key and nervous, singing 'Act Naturally'." — Intro by Ringo
"Ticket to Ride" [2:44]
Ticket to Ride – Footage of two versions of the song, the live version at Blackpool and the taped TV promotional film version, are merged with one another.
The Beatles Receive The MBE From The Queen [11:01]
Help! – Title song played at the beginning of each episode.
Ed Sullivan welcomes the Beatles to the concert at Shea Stadium, New York City, 15 August 1965 – "Ladies and gentlemen, Honoured by their country, decorated by their Queen and loved here in America ... Here are the Beatles!"
In My Life [Overdub on 22 October 1965 – Take 3] – Played in the background over footage showing the band talking about the new musical directions.
George Martin: "... They were finding new frontiers all the time."
Ringo: "... Our whole attitude was changing. ... I think grass was really influential in a lot of our changes."
Paul: "The direction was changing away from poppy stuff. ... We branched out into songs that are a bit more surreal, more entertaining. ... Dylan was starting to influence us quite heavily at that point."
John: "When it got sort of contemporary as it were, a contemporary influence ... I think Rubber Soul was about when it started happening."
Drive My Car (Recorded on 13 October 1965 – Take 4) – Nowhere Man [Remake recorded on 22 October 1965 – Take 4] – A musical collage played over footage of still photographs showing different moments of the band in studio during recording of Rubber Soul.
Rāga Charu Kishi – Footage showing snippets of a Sitar Recital of the Rāga by Ravi Shankar; George discussing the context of using sitar in Norwegian Wood.
Norwegian Wood (This Bird Has Flown) (12 October 1965 – Take 1) – Played over footage of still photographs showing different moments of the band recording the song.
Nowhere Man [Remake recorded on 22 October 1965 – Take 4] – Played in the background over Paul discussing the stretched photo on the cover of the album Rubber Soul; the photo being the result of backward falling of the album-sized piece of cardboard on which photographer Robert Freeman was projecting photos at Lennon's house.
"Yellow Submarine" [3:40]
Yellow Submarine [Recorded 26 May 1966 – Take 5] – Footage from the film Yellow Submarine edited with Beatles footage (live-action and animation combination).
Taxman (Harrison) [Overdub on 22 April 1966 – Take 12] – Played over footage of still photographs showing different moments of the band recording the song; and George discussing the social context of the song – "... In those days we paid 19s.6d. out of every £1. ... That was with super-tax, surtax and tax-tax and stuff."
"Tomorrow Never Knows" [1:27]
Tomorrow Never Knows — "That's me in my Tibetan Book of the Dead period ... ..." – John
Technical Limitations in the Studio [2:56]
Nowhere Man – Footage of the Beatles' live performance of the song at Circus Crone, Munich – 24 June 1966.
"We were just insane. We all thought there was a fire in the lift. Just a little red light and we were all screaming, all hysterical." – John
"Day Tripper" [3:15]
Day Tripper (Recorded on 16 October 1965 – Take 3) – Taped TV promotional film of the song. — "Day Tripper – that was a drug song, I just liked the word." – John
"We Can Work It Out" [2:47]
We Can Work It Out (Overdub on 29 October 1965 – Take 2) – Taped TV promotional film of the song.
Taped TV Promotional Films [1:34]
I'm Looking Through You Played in the background — "Going to the TV studios to promote our records was too much of a hassle. We'll just make our own little films and we'll put them out." – George
"Paperback Writer" [2:55]
Paperback Writer [Overdub on 14 April 1966 onto recording of 13 April 1966 – Take 2] – Footage of promotional film of the song.
".. ... .we can't go everywhere. We'll send these things out to promote the record. These days, everybody does that. It's just part of your promotion for a single, so I suppose in a way we invented MTV." – George
"Rain" [3:02]
Rain [Overdub on 16 April 1966 onto recording of 14 April 1966 – Take 7] – Footage of promotional film of the song. — "That's the first record with backwards music on it." – John
World Tour 1966 [15:24]
Got to Get You into My Life – Played over footage showing the Beatles arriving at the Haneda Airport, Tokyo on 30 June 1966.
Footage of the Beatles' live performance at the Nippon Budokan Hall, Tokyo on 30 June 1966:
Eleanor Rigby – Solo performance of Paul McCartney amalgamating into the performance by the Beatles, ending with the solo performance.
Footage of the Brian Epstein Press Conference at New York City on 6 August 1966 regarding an early 1966 interview that John Lennon gave to the Evening Standard
Footage from the Beatles' Press Conference at Chicago on 11 August 1966 where John Lennon talks on the "More popular than Jesus" controversy.
Footage from the film The Family Way where Paul McCartney wrote the film score teaming up with George Martin which eventually won the Ivor Novello Award for the Best Film Song for Love in the Open Air.
Release Me (Miller-Williams-Yount) – Performed by Engelbert Humperdinck – playing very softly in the background while listening to a recording of a Beatles' radio interview about not reaching no. 1.
Your Mother Should Know – Footage from the film Magical Mystery Tour. This scene, known as the 'staircase' scene, was filmed in the disused aircraft hangars at RAF West Malling in Kent, in September 1967.
Flying (instrumental) (Lennon–McCartney–Harrison–Starkey) – Footage from the film Magical Mystery Tour. In this sequence, the music is accompanied in the film by colour-altered images of landscape in Iceland, taken from an aeroplane; these shots were provided from outtakes of Stanley Kubrick's famous comedy Dr. Strangelove.
"I Am The Walrus" [5:11]
I Am the Walrus – Footage from the film Magical Mystery Tour. This scene was filmed on the disused airfield runways at RAF West Malling in Kent, in September 1967. The soundtrack was changed from the original VHS edition of Anthology to the DVD: a new all-true-stereo mix of the song was introduced, eliminating, for the first time, the use of "fake stereo" after the second verse of the song.
Recollections – June 1994 [16:51] – Paul, George and Ringo spend a happy summer's day together in Harrison's house; singing, playing and warmly remembering early days of room sharing, haircuts, Beatle boots, first cars and meeting Elvis.
Compiling The Anthology Albums [10:48] – Paul, George, Ringo and George Martin detail the process of how they choose the tracks for Anthology Albums 1, 2 and 3.
Back at Abbey Road – May 1995 [14:51] – Returning to Studio 2, Paul, George, Ringo and George Martin reflect on recording at Abbey Road Studios in the Sixties and some of the techniques used in creating these recordings.
Recording "Free as a Bird" And "Real Love" [10:57] – Paul, George, Ringo and Jeff Lynne reveal how they were able to produce the two new Beatles tracks from John's original demos provided by Yoko. This section includes intimate footage filmed in the studio during the recording of the tracks.
Free as a Bird (Lennon/Lennon–McCartney–Harrison–Starkey)
Production Team [13:03] – Neil Aspinall, Derek Taylor, Geoff Wonfor, Chips Chipperfield and other key members of the Anthology production Team explain the process of how The Beatles Anthology series was created.
Making The "Free as a Bird" Video [11:12] – Insight into how the video for Free as a Bird was made. Director Joe Pytka explains how he and Apple developed the concept and discusses the techniques that were used in the production.
Free as a Bird (Lennon/Lennon–McCartney-Harrison-Starkey)
"Real Love" Video [4:07] – The video that was not featured in the Anthology series, now remixed in 5.1 Surround Sound.