Bruckner composed this motet on 9 June 1846 during his stay in St. Florian Abbey. The autograph voice score, without the organ score, is present in the archive of the St. Florian Abbey.[1]
In 1888, Bruckner revised this setting, together with the revision of previous four Tantum ergo. The revised version of the five Tantum ergo was published first by Johann Groß, Innsbruck in 1893.[2]
The 1846 and 1888 versions are put in Band XXI/13 and 38 of the Gesamtausgabe respectively.[3]
Music
The works is scored in D major for SSATB choir and organ. The first setting is 36-bar long. The bars 21-32 are optional.[1] In the 31-bar long revised version these optional bars are removed and a 3-bar Amen is added.[2]
This fifth Tantum ergo is characterised by its marked solemness. After a climax on novo cedat rituit it goes on, diminuendo, to an intimate quasi-Mozartian coda.[4]
Selected discography
The first recording occurred in c. 1931:
Ludwig Berberich, Münchner Domchor – 78 rpm: Christschall 118A (2nd version, a cappella)
1846 version
There are only two recordings of this first version:
Thomas Kerbl, Chorvereinigung Bruckner 09, Anton Bruckner Chöre/Klaviermusik – CD: LIVA 034 (first strophe only)
Christian Erny, The Zurich Chamber Singers, Bruckner Spectrum - CD: Berlin Classics LC06203, 2022 (with a few deviations from the score)
Note: A live performance – without organ accompaniment – by Philipp von Steinäcker is available in the Bruckner Archive.[5]
1888 version
A selection among the about 20 recordings:
Martin Flämig, Dresdner Kreuzchor, Ave Maria – Anton Bruckner: Geistliche Chöre - Motets – CD: Capriccio 10 081, 1985
Max Auer, Anton Bruckner als Kirchenmusiker, G. Bosse, Regensburg, 1927
Anton Bruckner – Sämtliche Werke, Band XXI: Kleine Kirchenmusikwerke, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Hans Bauernfeind and Leopold Nowak (Editor), Vienna, 1984/2001
Cornelis van Zwol, Anton Bruckner 1824–1896 – Leven en werken, uitg. Thoth, Bussum, Netherlands, 2012. ISBN978-90-6868-590-9