David Giles of Music Week gave a positive review, deemed "Sweet and Low" as Harry's one of her best singles from the parent album, adding: "Aimed squarely at the dancefloor, which creates a plush backdrop for her sugary vocals. There are some great sweeping harmonies and a belter of a chorus – exciting, but still managing to remain laid back".[5] Lisa Tilston of Record Mirror commented that the album version was "really a bit of a drag", but considered the single remix to be "one of Debbie's best". She noted the "icey vocals married to an irresistible dance beat" and added, "The incomparable blonde disco queen sounds, as ever, as if she's singing in an echo chamber and this should do a lot to repair the damage done by her recent dodgier singles."[6]