Sumana Roy is an Indian writer and poet. Her works include How I Became a Tree (2017), a work of non-fiction; Missing (2019), a novel; Out of Syllabus (2019), a collection of poems; and My Mother's Lover and Other Stories (2019), a short story collection. Her unpublished novel Love in the Chicken's Neck was longlisted for the Man Asian Literary Prize (2008). Her first book, How I Became a Tree, a work of non-fiction, was shortlisted for the 2017 Shakti Bhatt Prize.
Roy's first work was a novel, Love in the Chicken's Neck, which remains unpublished. It is a story about friendship. Set in the university town of Shibmandir, it moves between Darjeeling, the Dooars, and Siliguri, through their difficult histories, histories of political movements, the demand for Gorkhaland and Kamtapur among them, that affect the relationships between the three friends, Tirna, Nirjhar, and Balram.[8]
She published her first book How I Became a Tree, a non-fiction work, in 2017. With the use of first-person narrative, the book presents various aspects of plant life.[9][10][11] How I Became a Tree was translated into French as Comment Je Suis Devenue Un Arbre by Patrick Devaux.[12] It was translated into German as Wie ich ein Baum wurde by Grete Osterwald.[9]
Her next book, Missing: A Novel (2019), is the modern retelling of the Hindu epic Ramayana.[13] Based on real life incident, 2012 Guwahati molestation of teenage girl, and set over seven days, Missing narrates the story of Kobita, an academic and social activist in her fifties, who goes missing as she goes out to help a girl being molested by thirty men, leaving behind her blind husband and poet Nayan Sengupta along with the domestic helps of Bimalda, Shibhu, Ratan and Bani. The novel deals with the theme of waiting, drawing striking parallels with Ramayana, the epic par excellence that deals with the theme of waiting as well where Sita goes missing and Rama waits for her to get back.[14][15][16] Kobita remains missing throughout the novel.[13]
After Missing: A Novel (2019), Roy published her first poetry collection, Out of Syllabus. The title alludes to the structural framework of her sequence of compositions, the various subjects studied in a school syllabus, with the poems grouped according to the type of lesson taught. Each topic is refracted through the lens of some aspect of the broader social world outside the classroom. Mathematics lends itself to a lyrical reflection on the arithmetic of marriage rules, for example.[17][18]
Out of Syllabus received positively from Stanford University's emerita professor of literature Marjorie Perloff and University of California at Irvine's emeritus professor J. Hillis Miller. For Perloff, Roy's ability to range over a multitude of scientific disciplines – Chemistry, Physics, Biology, Geography, History, Botany and Art – in order to tease out the poignant anatomies of feelings bound up with love, longing and loss while maintaining an aesthetic detachment, was reminiscent of the works of Sylvia Plath, but tempered by a degree of philosophical distance unlike the anger driving Plath's oeuvre. J. Hillis Miller noted the dialectical interplay between the rational order of the book's formal organization as evidenced by the clinical list of syllabus items that groups the poems, and the exuberant figures of speech characteristic of their imagery.[19]
My Mother’s Lover and Other Stories, her short story collection, was published in 2019.[20][21] Roy edited Animalia Indica: The Finest Animal Stories In Indian Literature (2019), a collection of 21 animal short stories written in English as well translated from native vernacular languages.[22][23]
^Gopalan, Pradeep (September 2017). "More Than Just A Disappearance". The Book Review. 41 (9). New Delhi: The Book Review Literary Trust. OCLC564170386. Archived from the original on 11 July 2021. Retrieved 11 July 2021.
^Ahmad, Ashwin (17 June 2018). "Book Review: Missing". DNA India. Archived from the original on 20 September 2019. Retrieved 8 July 2021.
