Born in Chicago, Gordon became known for experimental and sometimes controversial live theater at the University of Wisconsin in the late 1960s. Moving back to Chicago, he founded and led the Organic Theater Company. In the early 1980s, Gordon went to California to pursue movie making.
Stuart Alan Gordon was born on August 11, 1947, in Chicago, Illinois, the son of Rosalie (Sabath), a high school English teacher, and Bernard Gordon, a cosmetics factory supervisor.[4][5] After graduating from Lane Technical High School, Gordon worked as a commercial artist apprentice prior to enrolling at the University of Wisconsin–Madison. Unable to get into the film classes, he enrolled in an acting class and ended up majoring in theater. During this time, he founded his first theatre company, Screw Theater.[6]: 212
Career
Theatre
In late March 1968, Gordon produced The Game Show on the Play Circle stage of the University of Wisconsin–Madison's Wisconsin Union Theater. The play, intended to be an attack on apathy, locked the audience in the theater and seemingly humiliated, beat and raped them (audience plants were used). Every performance ended with the audience rioting and stopping the show.
THE GAME SHOW's game is you. It is completely dedicated to destroying the complacency of every member in the audience, to making you react. It wants you to get up and be forcibly smashed in the head and the body, it wants you to throw up, to scream out, to lose the trust of the person sitting right next to you, to reach and act. It wants you -all by yourself- to do something.[7]
Gordon then formed Screw Theater in the summer of 1968 and produced and directed four shows, the final one, in the fall of 1968, a political version of Peter Pan that got him and his future wife arrested for obscenity.[5] The story made national headlines until the charges were dropped in November 1968. As Gordon described it in a 2001 interview:
I had been protesting against the war in Viet Nam, and got tear-gassed by the Chicago police, and it suddenly struck me that you could take Peter Pan and turn it into a political cartoon about the whole situation. So, Peter Pan became the leader of the hippies and yippies, Captain Hook became Mayor Daley, and the pirates became the Chicago police. We left all of the James Barrie dialogue intact, so when they all went off to Neverland they sprinkled pixie dust on themselves and think lovely thoughts, and up they go. That was an acidtrip, which was visualized by a psychedelic light show that was projected onto the bodies of seven naked young ladies ...[8]
After the University of Wisconsin demanded future theatrical productions by Screw Theater be overseen by a university professor, Gordon cut his University ties to form Broom Street Theater. Its first production, the new translation of the risque Lysistrata, premiered in May 1969.
Later that year, with his wife Carolyn Purdy-Gordon, he relocated to Chicago and founded the Organic Theater Company, for which Gordon also served as artistic director. With the company through the 1970s to early '80s, he produced and directed thirty-seven plays, among them, the world premieres of The Warp Trilogy (Warp! was later adapted into a comic book by First Comics), David Mamet's Sexual Perversity in Chicago and Bleacher Bums, E/R Emergency Room (which was adapted into the short-lived TV series E/R), and a two-part adaptation of Adventures of Huckleberry Finn.[5] The initial production of Warp, co-written by Gordon, was such a huge hit for Organic that it briefly made it to Broadway, where it proved to be little understood. Warp was influential according to the theater critic, Richard Christiansen, for anticipating Star Wars and giving rise to additional Chicago theater companies.[9] Gordon's 1973 production of The Wonderful Ice Cream Suit,(which 25 years later he made into a movie) featured an ensemble cast that included Dennis Franz, Meshach Taylor, and Joe Mantegna. Other work with Mamet and Mantegna also proved successful.[9]
In 1977, Gordon adapted Kurt Vonnegut's The Sirens of Titan for the Organic with the input and approval of Vonnegut himself. 40 years later, in 2017, Gordon updated and revised his adaptation for a production at Sacred Fools, directed by Ben Rock.[13][14]
Gordon started his film career making horror films for Empire Pictures. His first two, Re-Animator (1985) and From Beyond (1986), were both adaptations of H.P. Lovecraft material. Also for Empire was Dolls in 1987. His next two projects were surprisingly family friendly. First up was Kid Safe: The Video, a short safety film for kids released direct-to-video. Following that, with Brian Yuzna and writer Ed Naha, he co-created Honey, I Shrunk the Kids for Disney Studios (he later executive produced the sequel Honey, I Blew Up the Kid). He also co-wrote Body Snatchers for Warner Brothers in 1993 and The Dentist for Trimark in 1996.
Gordon married Carolyn Purdy in 1968, and often cast her in his films, usually as ill-fated characters.[1] He was father of three daughters, Suzanna, Jillian, and Margaret.[16] He spent the latter half of his life in Los Angeles, residing in Valley Glen.[17] Gordon died in Van Nuys, Los Angeles on March 24, 2020, of multiple organ failure, aged 72.[17][4]
^Cohen, Larry (March 28, 1968). "Stuart Gordon's THE GAME SHOW: The Audience in the Leading Role". The Daily Cardinal (UW-Madison). Madison, Wisconsin. p. 9.
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