"Sammy Hagar Weekend" is about teenage troublemakers in Anaheim; it was added to album when the band realized they had too many serious songs.[12][13] The band offers admiration for Jesse Jackson on "Lena Horne Still Sings Stormy Weather".[14] "Colorblind" describes white flight.[15]
The Orlando Sentinel wrote that "guitarists Dix Deanney and Mike Martt set the stylistic tone on the album's opening tracks with ringing, rhythmic layers of electric guitars that initially recall the impact of Tom Petty's Heartbreakers."[1]The Gazette determined that, "rather than be locked in by the limited ambition that pervades the college-indie-band mindset, Thelonious Monster makes the sarcastic digs stick by cranking up music that is at times as good as Stones and Beatles-influenced rock gets when set firmly in a late-'80s context."[18]
The New Haven Register noted that "the guitars are turned up, the rock 'n' roll is as straight forward as a sledgehammer and odd harmonies run rampant."[19]Spin called the album "white soul, with one foot in adolescence and the other in that record store where you bought all your old J. Geils and Cream albums."[20]