Stephen Brian Street[1] (born 29 March 1960 in Hackney, London[2]) is an English record producer best known for his work with the Smiths, the Cranberries and Blur. Street collaborated with Morrissey on his debut album Viva Hate following the split of the Smiths.
Street began his musical career in the late 1970s playing in various bands around London. He played bass in the new wave ska/pop group, Bim, with future Neneh Cherry/Massive Attack producer Cameron McVey.[5] The band were featured in the Listen to London documentary film. Street started at Island Records' Fallout Shelter Studio in 1982 firstly as an "in-house assistant" and then as an "in-house engineer".[6]
The Smiths and Morrissey (1984–1989)
One of Street's first jobs as in-house engineer was for a session for the Smiths's "Heaven Knows I'm Miserable Now"[6] and commented in a HitQuarters interview, "I'd seen them just shortly beforehand on Top of the Pops doing "This Charming Man", and like most other people around that time who were into music I was really excited by them."[6] Although Street didn't work on the subsequent recording "William, It Was Really Nothing", he was asked to engineer their next album, Meat Is Murder, with Morrissey and Marr producing for the first time.[6]
During this time, he engineered for reggae artists including Black Uhuru and Linton Kwesi Johnson, and for jùjú musicianKing Sunny Adé. He helped produce and mix several tracks on Stephen Duffy's first two albums: The Ups and the Downs in 1985 and Because We Love You in 1986. Twelve years later, he worked with Duffy on his 1998 album I Love My Friends.
Street continued to work with the Smiths, working as an engineer on their album The Queen Is Dead before assuming a producer role for Strangeways, Here We Come, their final album.[7]
After the Smiths broke up, Street was producer and co-songwriter for Morrissey's debut solo album Viva Hate, which reached No. 1, spawning two top 10 hits in the UK. Street and Vini Reilly, guitarist on Viva Hate, had a dispute over songwriting credits. Reilly claimed to have written the majority of the tracks on the album, which Street dismissed, claiming that he wrote the music for all of the tracks on the album and that Reilly had no part to play in that.[8] Street was credited as producer, songwriter, guitarist and bass guitarist on the album. Street went on to co-write and produce two further singles for Morrissey which appeared on Bona Drag before the singer ended their association, apparently due to disputes regarding royalty payments and alleged conversations between Street and Johnny Rogan, author of controversial Morrissey texts.
Blur (1990–1997; 2015) and Graham Coxon (2003–2009)
Street produced Blur's 2015 album The Magic Whip, their first since the band's reformation with Coxon.
The Cranberries (1992–1994; 2001–2002; 2011–2019)
In 1992, Street started working with Irish band the Cranberries on their debut album Everybody Else Is Doing It, So Why Can't We?. The album turned out to be a huge success in the US. In 1994, Street worked with the band again on their second album No Need to Argue.[9] Following two albums with different producers, the band worked with Street again on their 2001 album Wake Up and Smell the Coffee and the two extra tracks that were recorded for their 2002 best of album Stars: "Stars" and "New New York".
After the Cranberries went on hiatus in 2003, guitarist Noel Hogan began working on solo work then called Mono Band. Street worked with Hogan in producing the album of the same name released in 2005.
Street also produced the Cranberries' sixth studio album Roses, released in 2012.[10] He also produced their final album In the End, released in 2019.
Kaiser Chiefs and the Ordinary Boys (2004–2007)
Street produced Employment, the debut album by Kaiser Chiefs, after hearing one of their early demos and contacted the band about producing them.[11] At one point, Street brought Blur guitarist Graham Coxon into the studio to rev his moped for a sound effect. This can be heard on the track "Saturday Night". Street produced the band's second album Yours Truly, Angry Mob. Street also produced the first two albums for ska-influenced indie band the Ordinary Boys: Over the Counter Culture in 2004 and Brassbound in 2005.
Babyshambles (2007–present) and Peter Doherty (2008–present)
Street produced Shotter's Nation, the second album by Pete Doherty's band Babyshambles. The recording of the album was said to have been a hard process, due to Street's lack of co-operation with Pete Doherty. Street later commented that "Pete wasn't in a very good state for the first couple of weeks of making the record for the reasons that people know about. It was a bit worrying to be honest with you. There were a couple of times I had to fire warning shots across his bow, say 'Listen, you've got to sort yourself out here because if you don't I can't work with you'. I felt like I was going to let down the rest of the band if I walked away from things." Street went on to produce the band's third album Sequel to the Prequel.
In 1988, Street, along with journalist Jerry Smith, set up the Foundation Label. The label was home to artists including Bradford and Sp!n. However, the label wasn't a commercial success and folded in 1991.
He produced the Caretaker Race's album Hangover Square in 1990. The band, formed by ex-Loft guitarist Andy Strickland and roving drummer Dave Mew, had recorded a number of singles previously, some produced by John Parrish. For Hangover Square, the band added a number of new tracks, including "Man Overboard" and "2 Steel Rings", both released as singles.
Street worked with Lloyd Cole in 1995,[12] produced Shed Seven's 1998 album Let It Ride and worked with New Order. He also produced several tracks on the Longpigs second album Mobile Home in 1999.
In 2001–2002, Street worked from Jacobs Studios in Farnham, Surrey to produce Wood/Water, the Promise Ring's final album, released by ANTI- in 2002.[13] Street also co-produced A New Morning by Suede, released in September 2002.
Street produced the next album by Feeder, released in 2008. Street co-produced the tracks "Save Us" and "Burn the Bridges" from the band's The Singles album with lead singer Grant Nicholas. An exclusive mix of this track, done entirely by Street, was available from iTunes upon release.
Street worked with alternativepost-punk band White Lies when they were known as Fear of Flying, producing "Routemaster" and "Three's a Crowd".[15]
Manchester indie band the Courteeners approached Street and after hearing demos he offered to produce their album. The album was recorded in London over a six-week stretch and was named St. Jude. The album reached No. 4 on the UK Albums Chart, but was subject to mixed reviews.
In August 2010, Street produced the debut EP for Dublin-based band the Vagabonds.
"Alsatian Cousin", "Little Man, What Now?", "Everyday Is Like Sunday", "Bengali In Platforms", "Angel, Angel Down We Go Together", "Late Night, Maudlin Street", "Suedehead", "Break Up The Family", "The Ordinary Boys", "I Don't Mind If You Forget Me", "Dial-a-Cliché" and "Margaret On The Guillotine" from Viva Hate – "Treat Me Like a Human Being" (only on remastered version).
"Interesting Drug", "Will Never Marry", "Such a Little Thing Makes Such a Big Difference", "The Last of the Famous International Playboys", "Ouija Board, Ouija Board", "Hairdresser on Fire", "Lucky Lisp" and "Disappointed" from Bona Drag – "Happy Lovers At Last United", "Lifeguard On Duty", "Please Help the Cause Against Loneliness" and "The Bed Took Fire" (only on 2010 re-release).
"I Know Very Well How I Got My Name", "Oh Well, I'll Never Learn", "Sister, I'm A Poet", "Michael's Bones", "Journalists Who Lie" and "Safe, Warm Lancashire Home" are tracks that appeared on B-sides of Morrissey singles.
"I Don't Want Us To Finish" is an unreleased track.
