Theatrical producer Gordon Miller is keeping his fingers crossed that his newest play will be a success so that he can pay off his massive hotel bill. Miller and his entire cast can live at the hotel on credit thanks to the generosity of the hotel manager, Joe Gribble, who is Miller's brother-in-law.
Wagner, a company auditor, arrives unexpectedly, as does playwright Glenn Russell, who has left his small town hoping to collect a large amount of (non-existent) royalties on his play. Russell ends up taking a lead musical role in his own production.
Miller suddenly has mixed feelings about his own play, as his girlfriend Christine Marlowe has fallen head-over-heels for playwright Russell; and to break up the romance means sabotaging his own production.
• Where Does Love Begin? – Performed by Gloria DeHaven, George Murphy and chorus; Reprised by Frank Sinatra and Anne Jeffreys
• Come Out, Come Out, Wherever You Are – Performed by Gloria DeHaven, Frank Sinatra and chorus
• As Long As There's Music – Performed by Frank Sinatra
• Some Other Time – Performed by Frank Sinatra and Gloria DeHaven
• Why Must There Be an Op'ning Song? – Performed by Anne Jeffreys
• Ask the Madame – Performed by George Murphy, Gloria DeHaven and chorus
Reviews
Bosley Crowther, reviewing for The New York Times, called Step Lively a star vehicle for Frank Sinatra; although the scenes with Sinatra "perceptibly hobble[d] the farce." Crowther compared him unfavorably to Eddie Albert, stating that "when [the remaining cast] are left alone to play 'Room Service' they make this an up-and-coming film."[1]
The Sinatra Club of Sydney, listening to his records in Wynyard Park, January 1945.
On January 19, 1945, 30 teenage members of a local Sinatra fan club attended the premiere of Step Lively at the Empire Theatre in Sydney, Australia. They were met by an unruly mob of at least 300 people who were incited to anger by weeks of anti-Sinatra and anti-bobby soxer rhetoric in the media. The mob kicked, punched and twisted the arms of the young fans, derided them as "swooners", booed throughout the screening and stalked the fans through the streets on their way home.[3][4][5]
Subsequent media coverage of this incident led to a national debate on the merit of Sinatra's music, his talent relative to that of Bing Crosby and the legitimacy of his young fans' appreciation for his work.[6][7] An "Anti-Sinatra Club" was founded in Melbourne.[8]
The club attending a subsequent screening of Step Lively at the Empire Theatre.
In March 1945, a feature article on the Sinatra Club ran in Pix magazine featuring photos of the teenage members taken by Ivan Ives.[9] The article intended to demonstrate to the public that these were honest, intelligent young people with a genuine appreciation of Sinatra's music, not the hysterical "swooners" they had been made out to be. One photo depicted the club members attending the Empire Theatre for another screening of Step Lively in a calm manner. Others showed them on a variety of social outings, often while listening to Sinatra's music on portable gramophones. The complete photo shoot is publicly available on the State Library of New South Wales online catalogue.[10]
.jpg)
