After a lengthy post-production period of over three years, the film had its world premiere at South by Southwest on March 10, 2017, and was released in the United States on March 17, 2017, by Broad Green Pictures. Critical reception for the film was mixed.[3]
Plot
In Austin, Texas, Faye is a guitarist looking for success as a musician. She starts an affair with record producer Cook, hoping that he will help her. Then she begins a relationship with BV, who has had slightly more success than she and is also working with Cook. Cook and Faye keep their affair a secret from BV and the three take a trip together to Mexico.
Rhonda is a former kindergarten teacher working as a waitress at a diner, where she is courted by Cook. The two eventually marry and he buys her mother a house. Business gets rough between Cook and BV and their professional relationship and friendship end.
Faye feels increasingly guilty about her affair with Cook, and finally tells BV, who breaks up with her. Faye then has a relationship with Zoey, a French woman living in the US. Rhonda begins to feel uncomfortable with Cook's wild lifestyle, which includes sex with other women and drugs. BV dates New Yorker Amanda for some time, but eventually they break up too.
Rhonda takes her own life, leaving Cook shocked and saddened. Faye and BV reconnect and start dating again. Later, BV moves back west to his hometown to take care of his sick father and the rest of his family, and pursues a simpler life, taking a job as a worker at a drilling rig. Faye follows him and the two of them declare their eternal love for each other.
Post-production on the film took longer than expected because the film's eight-hour first cut required Malick to ask the financiers and studios more than once for additional time.[22][23]
In October 2013, Michael Fassbender provided voice-over that the actor said might be cut from the completed film: "I'm not sure [if I'm in the final cut]. I've got to go actually and do some more voice-over ... just like reams and reams of that."[24] Bale also expressed doubts about whether he would appear, saying in November 2013, "I unfortunately wasn't able to do everything I was meant to do, so I ended up doing like three, four days on that. Which in Terry's world means you're never going to see me in it."[25] In January 2016 Mara revealed she did voice-over for the film.[26]
In February 2015 Broad Green Pictures acquired U.S distribution rights to the film.[30] It had its world premiere at South by Southwest on March 10, 2017.[31] The film was released on March 17, 2017.[32]
Reception
On review aggregator website Rotten Tomatoes, it has a 44% approval rating based on 131 critics and an average rating of 5.5/10. The site's critical consensus reads, "As visually sumptuous as it is narratively spartan, Terrence Malick's Song to Song echoes elements of the writer-director's recent work—for better and for worse."[3] On Metacritic the film holds a rating of 55 out of 100, based on 34 critics, indicating "mixed or average reviews".[33]
In a five-star review for The Independent, Christopher Hooton claimed that it has become fashionable among critics to ridicule Malick's recent films, but that given a chance the film is a "masterpiece" and even "life-changing".[34] In Entertainment Weekly, Joe McGovern derided it as "incoherent, disconnected, self-interrupting, obsessed with pointless minutiae and crammed full of odd, limp stabs at profundity [...] you’ll find yourself searching in the margins of each shot for something or someone tangible to grasp onto."[35]
Film critic Matt Zoller Seitz of RogerEbert.com gave the film two and a half out of four stars. Although he had always praised Malick's work and style in the past ("I don't believe that the Austin-based director has ever made a bad movie"), he wrote that Song to Song "is the first Malick film I’ve watched where the dots never came together to form a legible image", emphasizing the film's need for more "rhetorical connective tissue" that would further connect to the film's themes as well as better characterizations, because of the film's highly chaotic nature. Seitz concluded that the film is "a brainy concept album made up of B-sides and filler. The musicianship is superb but the songs needed work."[36]