A "deconstructed" version of the song was also included in the live album And All That Could Have Been. The accompanying live music video, with Jerome Dillon was also released.[4] A version of the song with an alternate ending was used in the 1994 film Natural Born Killers.[5][6]
Background
Trent Reznor co-produced the track in London with John Fryer, although Reznor "kind of backed away" from it. He felt that Fryer's production gave the track a "dreamy quality", as the piano is heavily filtered and features a large amount of reverb. The track also features elements of unused backing tracks by This Mortal Coil, a music collective that Fryer was part of; while these were initially included by accident, both Reznor and Fryer felt they fit well in the track.[7]
Following the song's main topic, Reznor struggled with depression during the five years following the release of The Downward Spiral in 1994;[8] his health worsened when he began abusing alcohol, cocaine, and other drugs, just to complete rehab in 2001.[8] He also had suicidal tendencies due to this issues.[9] In a 2005 interview he stated that he's still "pretty happy".[9]
Reception
Tom Breihan from Pitchfork Media gave a positive review to the song, stating that the song portrays "an absolute mastery" with "its haunted, minimal piano figure and a few hushed synth tones slowly, letting in sputtering static, faraway door-slam drums, and quiet little counter-melodies."[2] When the song was re-released in 2006, Rob Mitchum referred to it as a "'Goodbye Blue Sky' rip-off".[10] In 2020, Kerrang and Billboard ranked the song number seven and number five, respectively, on their lists of the greatest Nine Inch Nails songs.[11][12]