Released on March 30, 1973, Sextant was Herbie Hancock's first album on Columbia Records,[3] and the last with his Mwandishi-era group. The album showcased Hancock's early adoption of synthesizers and electronic effects.[3]
Upon release, the record was considered to be a commercial flop.[3]
Critical reception
AllMusic called the album a "gem" which features "a kind of post-modal, free impressionism that traces the edges of funk."[4]Rolling Stone wrote that, "taking his cue from [Miles] Davis' swirling, anarchic Bitches Brew and On the Corner, Hancock went even further into outer space [...] much of Sextant, with its twittering, burbling effects, amounts to a primitive version of Nineties ambient music."[3] The album was called an "uncompromising avant-funk masterpiece" by Paste Magazine.[2]