Service à la française

Table layout for the second course, in Elizabeth Raffald's The Experienced English Housekeeper, 4th Edition, 1775. Identifiable dishes include three mammal species, four birds, and four of fishes and seafood.

Service à la française (French: [sɛʁvis a la fʁɑ̃sɛːz]; "service in the French style") is the practice of serving various dishes of a meal at the same time, with the diners helping themselves from the serving dishes. That contrasts to service à la russe ("service in the Russian style") in which dishes are brought to the table sequentially and served individually, portioned by servants.[1] [2]

Formal dinners were served à la française from the Middle Ages to the 19th century, but in modern times it has been largely supplanted by service à la russe in restaurants. Service à la française still exists today in the form of the buffet, and remains popular for small and large gatherings in homes, companies, hotels, and other group settings. It is also similar to the Chinese style of serving large groups in many Chinese restaurants.

History

The formalized service à la française was a creation of the Baroque period, helped by the growth of published cookbooks setting out grand dining as it was practiced at the French court, led by François Pierre de la Varenne's Le Cuisinier françois (1651) and Le Pâtissier françois (1653). As in other matters of taste and fashion, France took over from Italy as the leader of Europe, and by the 18th century the French style was diffused across the rest of Europe, and those who could afford them hired French chefs.[3]

Over the course of the 19th century, service à la française was replaced by service à la russe in grand dining. This had the advantage of making the food much hotter when it reached the diner, and reducing the huge number of dishes and condiments previously found on the table at the same time. It also ensured that everybody could taste everything they wanted, which in practice the old system often did not allow. On the other hand, the effect of magnificent profusion was reduced, and many more footmen and more tableware were required, making it an option only the rich could afford. It also reduced the time spent at the table, and the amount of food needed.[4]

Organization of the meal

The medieval predecessor of service à la française in the 1410s, Très Riches Heures du Duc de Berry

The meal was divided into two, three or four courses, "removes" or "services": soup and fish; meat entrées; and desserts, all with various side dishes. A supper, long after the main dinner, might just have one course, plus dessert.[5][6] Each course included a variety of dishes, all set at the same time at the table. Guests served themselves and their neighbours; the men were generally supposed to help the ladies next to them. The table was set and the first remove placed on the table before the guests entered the dining room. The serving dishes might be removed after the first course of soup or fish, or not. They were always cleared after the entrées, before serving dessert,[7] except for a period in the mid-18th century, when at grand meals the desserts were placed in the centre of the table from the start of the meal.[8]

There was supposed, by the cookery books, to be a more or less fixed ratio of around four dishes per diner, all different. Unlike today, when doubling the number of diners from say 12 to 24 will normally mean doubling the quantity prepared of each type of food, service à la française doubled the number of different dishes of all types, to about 96.[9] Therefore, in a large dinner, there was no chance for every diner to taste everything on the table, and two diners at different points around the table might well both have a hearty dinner, without tasting any of the same food, as with a large modern buffet. But whereas in the Middle Ages and Renaissance the best food was placed on the table with the most important diners, or the centre of a very large table, the lesser tables or edges of the main table doing rather less well, now the quality of food was even across the table. But now only diners accepted as more or less of the same status eat in the same room at all.[10]

In practice, guests might not be aware of what all the many dishes on the table were, or be able to see or obtain them. The long account in a letter from a young American lady of a dinner for 18 people on New Year's Day 1852 at an aristocratic English country house,[a] includes "I cannot tell you how many kinds of soup there were. Suffice it, that mine was most delicious".[11]

In the Renaissance the dessert course might be served in a different room, or at the other end of a large room, sometimes in buffet style.

Service à la française sometimes required so much food to be set out that it was the custom of some hosts to have a second dinner party the following day, using what was left over for a slightly smaller number of less-important guests. William Makepeace Thackeray's character Major Pendennis (1850) is "indignant at being invited to a 'second-day dinner'".[12]

Until about 1800, no glasses or drinks were on the table at the start of the meal. Footmen were beckoned and brought a salver with a glass of wine, and a decanter of water to dilute it if desired.[13]

The “Classical Order” of table service

The “Classical Order” of table service emerged in France in the early 17th century and first appeared in print in 1651 in La Varenne’s Le Cuisinier françois. The Classical meal is composed of five stages: potage, entrée, roast, entremets, and dessert. Each stage is characterized by certain types of dishes largely unique to that stage, each distinguished from the other by their ingredients, cooking methods, and serving temperatures. The distinctions between the stages were at first loosely observed, or perhaps more accurately, the "rules" were in a formative stage for several decades. By the early 18th century, though, the stages of the meal were increasingly rigid.[14]

Each stage could be presented in a separate course, or the stages could be grouped together to produce a meal of fewer courses. Regardless of the presentation on the table, the stages of the meal were consumed in the same order, known to those attending the meal but rarely evident in contemporaneous menus or descriptions of meals.[15]

The meal consistently began with potages.[16]

Entrées on meat days[b] included butchers' meats (but not ham), suckling pig, domestic fowl, furred and feathered game, and offal. Entrées were typically cooked in moist heat in preparations such as sautés, ragoûts, and fricassées. Meat or fowl might be roasted, but they were always finished in a sauce. Other common entrées were meat pies and fritters. On lean days, fish and eggs replaced meat and fowl in every course. In Lent, though, eggs were not served at any meal until the 19th century, when eggs became increasingly common in Lent. Vegetables were used only in sauces or garnishes; they were not served as a separate dish in the entrée stage of the meal, even on lean days. All entrées were served hot, which was a salient feature of entrées until the 19th century.[17]

In the 18th century, the bouilli, a joint of boiled beef, was the first entrée consumed at the meal after the potages. By the 1820s, the bouilli was no longer routinely served at fine dinners.[18]

The relevé was in origin an entrée, a spit-roasted joint served in a sauce and consumed after the other entrées. By the late 18th century, relevés had come to be considered a distinct stage of the meal consisting of any large joint consumed after the other entrées. On lean days, relevés were typically whole fish served in a sauce, and in the 19th century, whole fish became a classic relevé, even on meat days. Also in the 19th century, relevés came to be served before the other entrées rather than after, essentially replacing the bouilli formerly consumed at that point in the meal.[19]

In the early 18th century, hors d’œuvres were little extra dishes served alongside both entrées and entremets, typically consumed at the end of the given course. They were at first considered to be small entrées or entremets; but by the late 18th century, hors d’œuvre had come to be considered a distinct stage of the meal that was consumed immediately after the potages and before the entrées and relevés.[20]

Roasts on meat days included domestic fowl, feathered game, and small furred game. The fowl and game were spit-roasted and nicely browned, served "dry" and not in a sauce or ragoût, although sauces might be served separately. Large cuts of roasted butcher's meat and furred game were not served in the roast course until well into the 19th century. On lean days, whole fish replaced meat-day roasts, but the fish were poached or fried, not roasted. The fish were substitutions or counterparts to the roasts served on meat days, corresponding to their position in the meal but not their cooking method. The fish for the roast course were served "dry", often with the scales still attached, and sauces might be served on the side, as for roasts on meat days.[21]

Salads were served with the roast. Salads were often considered to be a sort of entremets, but they were usually mentioned separately from the other entremets.[22]

Entremets were the last dishes served from the kitchen. They were a varied selection of chilled meats, hot vegetables, hot and cold sweet dishes, and other dishes like vegetable and cheese fritters.[23]

Dessert consisted of items "from the storeroom" (de l'office), including fresh, stewed, preserved, and dried fruits; fruit jellies; cheese and other dairy dishes; dry biscuits (cookies) and wafers; and, beginning in the mid-18th century, ices and petits fours.[24][25] Because the dishes in the dessert course were not prepared in the kitchen, dessert was often not included on menus or in descriptions of meals, and the stated number of courses was thus often fewer by one than the actual number of courses served.[26]

Beginning in the early 19th century, the meal often included a small glass of chilled spirits or frozen punch between courses at the midpoint of the meal. In a 4-course meal, it was typically served after the roast, and in a 3-course meal, before the roast. The drink, the coup du milieu, was not considered a distinct stage of the meal and was not often included on menus.[27]

The stages of the meal could be presented in 5, 4, or 3 courses. Some meals, particularly meals other than dinner, were presented in a single course, a distinct type of service called an ambigu.

While there are many variations in the details, the following arrangements are characteristic of meals from the mid-17th century to the late 19th-century. Note that hors d'œuvres and relevés in the descriptions were not distinct stages of the meal in the 17th century. Note also that in the 19th century, relevés were increasingly served before the other entrées, not after them.[28]

Meals with five courses are attested from the mid-17th to the mid-18th century by La Varenne (1651),[29] Pierre de Lune (1662),[30] Louis Liger (1711),[31] François Marin (1739),[32] and Menon (1739).[33]

  1. Potage + hors d'œuvre
  2. Entrée + relevé
  3. Roast + salad
  4. Entremets
  5. Dessert

Meals with four courses are attested from the mid-17th to the early-19th century by L.S.R (1674),[34] Jean Ribou (1708),[35] Menon (1739),[36] Menon (1746),[37] Dictionnaire portatif de cuisine, d’office, et de distillation (1767),[38] and Grimod de La Reynière (1805).[39]

  1. Potage + hors d’œuvre + entrée + relevé
  2. Roast + salad
  3. Entremets
  4. Dessert

Meals with three courses are attested from the mid-16th to the late-19th century by François Massialot (1691),[40] Nicolas Audiger (1692),[41] Menon (1746),[42] Manuel de Gastronomie (1825),[43] Urbain Dubois (1856),[44] and Dictionnaire universel de la Vie pratique à la ville et à la campagne (1882).[45] Beginning in the early 19th century, meals of three courses were the most common type of table service.[43]

  1. Potage + hors d’œuvre + entrée + relevé
  2. Roast + salad + entremets
  3. Dessert

Modifications

Reconstruction of middle-class table set for eight, around 1800

A modified form of service à la française is known as "family-style" in less formal restaurants. This form of service replicates the way in which small family meals are sometimes served.

The buffet style is a variation of the French service in which all of the food is available, at the correct temperature, in a serving space other than the dining table, and guests serve themselves.

Buffets can vary from the informal (a gathering of friends in a home, or the serving of brunch at a hotel) to the formal setting of a wedding reception. The "buffet" format is preferred on occasions where a very large number of guests is to be accommodated efficiently by a small number of service personnel.

See also

Notes, references, and sources

Notes

  1. ^ Oakly Park, Bromfield, Shropshire
  2. ^ In accordance with church regulations in force from the Middle Ages to the 19th century, the ingredients for every stage of the meal varied between "meat days" (jours gras, literally "fat days"), when all foods were allowed, and "lean days" (jours maigres), when the church forbade consumption of meat and fowl but not fish. Until the 16th century, white meats (milk, cream, butter, and cheese) and eggs were additionally forbidden in Lent. Beginning in the 17th century, white meats were allowed in Lent. Beginning in the 19th century, eggs were also allowed in Lent.

References

  1. ^ Strong 2002, pp. 296–98.
  2. ^ Flanders 2003, pp. 236–38.
  3. ^ Strong 2002, pp. 228–31.
  4. ^ Strong 2002, pp. 295–99.
  5. ^ Strong 2002, p. 232.
  6. ^ Flanders 2003, p. 233.
  7. ^ Flanders 2003, pp. 233–234.
  8. ^ Strong 2002, p. 240.
  9. ^ Strong 2002, pp. 231–232.
  10. ^ Strong 2002, p. 233.
  11. ^ Strong 2002, pp. 269–272, 270.
  12. ^ Flanders 2003, p. 247.
  13. ^ Strong 2002, p. 235.
  14. ^ Flandrin 2007, pp. 11, 21, 23–27, 72.
  15. ^ Flandrin 2007, pp. 7–10.
  16. ^ Flandrin 2007, p. 59.
  17. ^ Flandrin 2007, pp. 21–31, 32–43 12–15 30.
  18. ^ Brillat-Savarin 1826, pp. 140–41.
  19. ^ Flandrin 2007, pp. 76–77, 102.
  20. ^ Flandrin 2007, pp. 75–76.
  21. ^ Flandrin 2007, pp. 13–20, 38–43.
  22. ^ Flandrin 2007, pp. 22–23, 30–31, 41, 62.
  23. ^ Flandrin 2007, pp. 21–31, 79–80, 88.
  24. ^ Grimod de La Reynière 1805, p. 19.
  25. ^ Flandrin 2007, pp. 3, 10, 30, 81, 82, 87, 88.
  26. ^ Flandrin 2007, pp. 41, 42, 81, 96.
  27. ^ Flandrin 2007, pp. 96–98.
  28. ^ Flandrin 2007, pp. 42–43, 102.
  29. ^ La Varenne 1651, p. vii.
  30. ^ Lune 1662, pp. 1–247.
  31. ^ Liger 1711, pp. 302–20.
  32. ^ Marin 1739, pp. 200–14, 218–24, 229–43, 260–63.
  33. ^ Menon 1739, pp. 1.1–19, 1.36–40, 1.52–7, 1.64–78, 1.84–98, 1.94–131.
  34. ^ L.S.R. 1674, pp. 34–53, 343–413.
  35. ^ Ribou 1708, pp. 500–04.
  36. ^ Menon 1739, pp. 12–14, 16–18.
  37. ^ Menon 1746, pp. 1.58–63, 1.79–83, 1.89–93.
  38. ^ Dictionnaire 1767, p. 2.330.
  39. ^ Grimod de La Reynière 1805, p. 18.
  40. ^ Massialot 1691, pp. 1–24.
  41. ^ Audiger 1692, pp. 5–6, 38–40.
  42. ^ Menon 1746, pp. 14–15.
  43. ^ a b Manuel 1825, p. 318.
  44. ^ Dubois 1856, p. 1.vii.
  45. ^ Dictionnaire 1882, pp. 1651–52.

Sources

  • Audiger, Nicolas (1692). La Maison reglée. Paris: Michel Brunet.
  • Bonnefons, Nicolas de (1654). Les Délices de la Campagne. Paris: Pierre Des-Hayes.
  • Cosnett, Thomas (1823). The Footman's Directory and Butler's Remembrancer. London: for the author.
  • Dictionnaire portatif de cuisine, d’office, et de distillation. Paris: Vincent. 1767.
  • Dictionnaire universel de la Vie pratique à la ville et à la campagne (6 ed.). Paris: Librairie Hachette et Cie. 1882.
  • Dubois, Urbain (1856). Cuisine classique. Paris: Les Auteur.
  • L.S.R. (1674). L’Art de bien traiter divisé en trois parties. Paris: Jean du Puis.
  • La Varenne, François Pierre (1651). Le Cuisinier françois. Paris: Pierre David.
  • Liger, Louis (1711). Le Ménage des champs, et le jardinier françois. Paris: Michel David.
  • Lune, Pierre de (1662). Le Nouveau et parfait maistre d’hostel royal. Paris: Estienne Loyson.
  • Manuel de Gastronomie. Paris: Levrault. 1825.
  • Marin, François (1739). Les Dons de Comus, ou les Délices de la Table. Paris: Prault.
  • Massialot, François (1691). Le cuisinier roïal et bourgeois. Paris: Charles de Sercy.
  • Menon, Joseph (1739). Nouveau traité de la cuisine. Paris: Paulus-du-Mesnil.
  • Ribou, Jean, ed. (1708). L’École parfaite des officiers de bouche. Paris: Jean Ribou.

Further reading

  • All Manners of Food: Eating and Taste in England and France from the Middle Ages to the Present by Stephen Mennell. University of Illinois, 1995.
  • The Rituals of Dinner: The Origins, Evolution, Eccentricities, and Meaning of Table Manners by Margaret Visser. New York: Penguin Books, 1992.
  • Food in History by Reay Tannahill. New York: Crown, 1995.
  • Patrick Rambourg, Histoire de la cuisine et de la gastronomie françaises, Paris, Ed. Perrin (coll. tempus n° 359), 2010, 381 pages. ISBN 978-2-262-03318-7
  • "A la Française: the Waning of a Long Dining Tradition" by Peter Brears, in Luncheon, Luncheon and Other Meals - Eating with the Victorians, Ed. C. Anne Wilson, 1992. Alan Sutton Publishing, Dover.
  • Service à la Française by Peter Hertzmann, 2004 on his website: https://www.hertzmann.com/articles/2004/service/

Read other articles:

Jasril Jakub Komandan Pasukan Pengamanan PresidenMasa jabatan13 November 1993 – 24 Maret 1995 PendahuluPranowoPenggantiSirajuddin Paiyoi Informasi pribadiAlma materAkademi Militer Nasional 1965Karier militerPihak IndonesiaDinas/cabang TNI Angkatan DaratMasa dinas1965–1998Pangkat Letnan Jenderal TNISatuanCorps Polisi Militer (CPM)Sunting kotak info • L • B Letnan Jenderal TNI (Purn.) Jasril Jakub adalah seorang tokoh militer Indonesia. Putra Koto Gadang, Ag...

 

artikel ini tidak memiliki pranala ke artikel lain. Tidak ada alasan yang diberikan. Bantu kami untuk mengembangkannya dengan memberikan pranala ke artikel lain secukupnya. (Pelajari cara dan kapan saatnya untuk menghapus pesan templat ini) Artikel ini sebatang kara, artinya tidak ada artikel lain yang memiliki pranala balik ke halaman ini.Bantulah menambah pranala ke artikel ini dari artikel yang berhubungan atau coba peralatan pencari pranala.Tag ini diberikan pada November 2022. Ibrahim Pa...

 

Device designed to reduce vibrations in structures For the song, see Tuned Mass Damper. This article may be too technical for most readers to understand. Please help improve it to make it understandable to non-experts, without removing the technical details. (March 2020) (Learn how and when to remove this template message) Tuned mass damper atop Taipei 101 Shanghai Tower tuned mass damper A tuned mass damper (TMD), also known as a harmonic absorber or seismic damper, is a device mounted in st...

FiorenzuolaLogo US Fiorenzuola 1922Nama lengkapUnione Sportiva Fiorenzuola 1922JulukanRossoneriBerdiri1922StadionStadio Comunale,Fiorenzuola d'Arda, Italy(Kapasitas: 4,000)KetuaLuigi PinalliManajerSettimio LucciLigaEccellenza Emilia–Romagna2011–12Serie D/B, 19th Kostum kandang Kostum tandang Unione Sportiva Fiorenzuola 1922 adalah sebuah klub sepak bola Italia yang berasal dari Fiorenzuola d'Arda, Emilia-Romagna. Saat ini mereka bermain di Eccellenza Emilia–Romagna. lbsEccellenza Abruzz...

 

Portail Projet Catégorie Débats d'admissibilité Discussions Cliopédia : l'espace de discussion du projet Histoire Ajouter un sujet de discussion Les réponses se font sur cette page ⇒ Pensez à la mettre dans votre liste de suivi ! Ajouter une annonce de suppression ou de fusion Voir également la page dédiée aux propositions d'anecdotes : Discussion Projet:Histoire/Propositions d'anecdote Avenue des cafés et bistros Café des sciences humaines Archives Anecdotes 2005 2006 2007 2...

 

Синелобый амазон Научная классификация Домен:ЭукариотыЦарство:ЖивотныеПодцарство:ЭуметазоиБез ранга:Двусторонне-симметричныеБез ранга:ВторичноротыеТип:ХордовыеПодтип:ПозвоночныеИнфратип:ЧелюстноротыеНадкласс:ЧетвероногиеКлада:АмниотыКлада:ЗавропсидыКласс:Пт�...

French opera singer and actress Nesville by the Atelier Nadar Juliette Nesville was the stage name of Juliette-Hortense Lesne (30 July 1869 – 26 July 1900), a French singer and actress in operetta and musicals, who made most of her short career in London, after early success in Paris and Brussels. After training at the Paris Conservatoire Nesville appeared in opéras comiques by Paul Lacôme, Robert Planquette, Edmond Audran and Charles Lecocq in 1890. After a highly successful appearance i...

 

Development from a Tethytherian ancestor and radiation of species This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages) This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (March 2014) (Learn how and when to remove this template message) This article needs additiona...

 

Voce principale: Forlì Football Club. Associazione Sportiva ForlìStagione 1928-1929Sport calcio Squadra Forlì Allenatore Franz Hänsel Presidente Pio Piretti Prima Divisione2º nel girone C. 1927-1928 1929-1930 Si invita a seguire il modello di voce Questa pagina raccoglie le informazioni riguardanti l'Associazione Sportiva Forlì nelle competizioni ufficiali della stagione 1928-1929. Indice 1 Stagione 2 Rosa 3 Note 4 Bibliografia Stagione Nella stagione 1928-1929 il Forlì ha disput...

Statements involving superpositions of truth Aristotle: if a sea-battle will not be fought tomorrow, then it was also true yesterday that it will not be fought. But all past truths are necessary truths. Therefore, it is not possible that the battle will be fought. Future contingent propositions (or simply, future contingents) are statements about states of affairs in the future that are contingent: neither necessarily true nor necessarily false. The problem of future contingents seems to have...

 

Nostra Signora della Misericordia è la patrona della città di Savona. Viene festeggiata il 18 marzo. In quel giorno del 1536, infatti, la Madonna sarebbe apparsa diverse volte al contadino Antonio Botta[1], in una località a circa sei chilometri dal centro della città che oggi ha preso il nome di Santuario. Cripta del santuario In quel periodo Savona stava impegnando tutte le sue forze in una guerra contro la Repubblica di Genova, conflitto inserito in un panorama storico che vede...

 

هذه المقالة عن المجموعة العرقية الأتراك وليس عن من يحملون جنسية الجمهورية التركية أتراكTürkler (بالتركية) التعداد الكليالتعداد 70~83 مليون نسمةمناطق الوجود المميزةالبلد  القائمة ... تركياألمانياسورياالعراقبلغارياالولايات المتحدةفرنساالمملكة المتحدةهولنداالنمساأسترالي�...

Arena at Exhibition Place in Toronto, Canada Coca-Cola ColiseumCoca-Cola ColiseumLocation in TorontoShow map of TorontoCoca-Cola ColiseumLocation in OntarioShow map of OntarioCoca-Cola ColiseumLocation in CanadaShow map of CanadaFormer names CNE Coliseum (1921–2003) Royal Coliseum[1] Ricoh Coliseum (2003–2018) Toronto Coliseum (July 2015) Address45 Manitoba DriveLocationToronto, Ontario, CanadaCoordinates43°38′09″N 79°24′54″W / 43.63583°N 79.41500°W...

 

Wonderful Christmastimesingolo discograficoArtistaPaul McCartney Pubblicazione16 novembre 1979 Durata3:48 GenereMusica nataliziaRockElettropop EtichettaColumbia ProduttorePaul McCartney Registrazioneluglio 1979 FormatiVinile CertificazioniDischi d'oro Germania[1](vendite: 250 000+) Nuova Zelanda[2](vendite: 15 000+) Dischi di platino Danimarca[3](vendite: 90 000+) Regno Unito (2)[4](vendite: 1 200 ...

 

CasanovaTheatrical release posterSutradaraLasse HallströmProduserBetsy Beers Mark GordonDitulis olehMichael Cristofer Jeffrey HatcherPemeranHeath Ledger Sienna Miller Jeremy Irons Oliver Platt Penata musikAlexandre DesplatSinematograferOliver StapletonPenyuntingAndrew MondsheinPerusahaanproduksiTouchstone PicturesDistributorBuena Vista PicturesTanggal rilis 03 September 2005 (2005-09-03) (VFF) 25 Desember 2005 (2005-12-25) (United States) Durasi112 menitNegaraAmerika ...

淡江高峰塔倒塌事件高峰塔B座、C座公寓,與倒塌的A座公寓結構類似 (2012)日期1993年12月11日,​30年前​(1993-12-11)时间下午1时35分(马来西亚标准时间,周六)地点 马来西亚雪兰莪淡江(英语:Ulu Klang)山景花园(英语:Taman Hillview)高峰塔坐标3°10′33.4″N 101°45′42.1″E / 3.175944°N 101.761694°E / 3.175944; 101.761694坐标:3°10′33.4″N 101°45′42.1″E&...

 

Web archiving organisation This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages) This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.Find sources: Internet Memory Foundation – news · newspapers · books · scholar · JSTOR (June 2...

 

  لمعانٍ أخرى، طالع جون ماكغراث (توضيح). جون ماكغراث معلومات شخصية الميلاد 23 أغسطس 1938(1938-08-23)مانشستر  الوفاة 25 ديسمبر 1998 (عن عمر ناهز 60 عاماً)مانشستر  الطول 6 قدم 0 بوصة (1.83 م) مركز اللعب مدافع الجنسية المملكة المتحدة  مسيرة الشباب سنوات فريق Miles Platting Swifts ب...

Questa voce o sezione sull'argomento economia non cita le fonti necessarie o quelle presenti sono insufficienti. Puoi migliorare questa voce aggiungendo citazioni da fonti attendibili secondo le linee guida sull'uso delle fonti. Segui i suggerimenti del progetto di riferimento. PIL pro capite (PPA) 2019 Questa voce fornisce una lista di stati del mondo ordinata per il loro prodotto interno lordo (PIL) nominale pro capite. Questo rappresenta il valore di tutti i prodotti finiti e servizi...

 

Untuk tempat lain yang bernama sama, lihat Kuningan (disambiguasi). Kabupaten KuninganKabupatenTranskripsi bahasa daerah • Aksara Sundaᮊᮥᮔᮤᮍᮔ᮪Tari Buyung khas KuninganBangunan tempat Perundingan Linggajati dilaksanakan. LambangJulukan: Kota KudaMotto: Rapih winangun kerta raharja(Sunda) Tertib, teratur, dan penuh semangat membangun demi terciptanya kemakmuran dan kesejahteraan lahir-batinPetaKuninganPetaTampilkan peta Jawa BaratKuninganKuningan (Jawa)T...