Though the tradition of the Three Marys arriving in France stems from the High Middle Ages, appearing for instance in the 13th century Golden Legend, Saint Sarah makes her first appearance in Vincent Philippon's book The Legend of the Saintes-Maries (1521), where she is portrayed as "a charitable woman that helped people by collecting alms, which led to the popular belief that she was a Gypsy." Subsequently, Sarah was adopted by Romani as their saint.[5]
Another account has Sarah welcoming the Three Marys into Gaul. Franz de Ville (1956) writes:
One of our people who received the first Revelation was Sara the Kali. She was of noble birth and was chief of her tribe on the banks of the Rhône. She knew the secrets that had been transmitted to her... The Rom at that period practiced a polytheistic religion, and once a year they took out on their shoulders the statue of Ishtari (Astarte) and went into the sea to receive benediction there. One day Sara had visions which informed her that the Saints who had been present at the death of Jesus would come, and that she must help them. Sara saw them arrive in a boat. The sea was rough, and the boat threatened to founder. Mary Salome threw her cloak on the waves and, using it as a raft, Sarah floated towards the Saints and helped them reach land by praying.[6]
Pilgrimage
The day of the pilgrimage honouring Sarah is May 24; her statue is carried down to the sea on this day to re-enact her arrival in France.[citation needed]
Some authors have drawn parallels between the ceremonies of the pilgrimage and the worship of the Hindu goddess Kali (a form of Durga), subsequently identifying the two.[7]Ronald Lee (2001) states:
If we compare the ceremonies with those performed in France at the shrine of Sainte Sara (called Sara e Kali in Romani), we become aware that the worship of Kali/Durga/Sara has been transferred to a Christian figure... in France, to a non-existent "sainte" called Sara, who is actually part of the Kali/Durga/Sara worship among certain groups in India.[8]
The name "Sara" itself is seen in the appellation of Durga as Kali in the famed text Durgasaptashati.[2]
In The Rozabal Line, author Ashwin Sanghi puts forward that Sara-la-Kali refers to the three Hindu goddesses – Saraswati, Lakshmi, and Kali – the goddesses of Knowledge, Wealth and Power – symbolizing the trinity of female power.
Alistair MacLean's 1970 thriller, Caravan to Vaccarès is set during the pilgrimage to Saintes-Maries-de-la-Mer.
Czon the Swedish artist did a portrait of Sara La Kali outside the church in "Saintes Maries de la Mer" 2018.[16]
The statue of Saint Sarah makes an appearance in Tony Gatlif's 1993 film Latcho Drom (Safe Journey) where it is carried to the sea, and her landing is re-enacted.
In Korkoro, also a Tony Gatlif film, the Romani often pray to Saint Sarah with intense fervor.
^Fida Hassnain, A Search for the Historical Jesus (Gateway Books, 1994).
^Marilyn Hopkins, Graham Simmans, Tim Wallace-Murphy, Rex Deus. The True Mystery of Rennes-le-Château and the Dynasty of Jesus, Element Books, 2000. ISBN1-86204-472-4.
de Ville, Franz, Traditions of the Roma in Belgium, Brussels, 1956.
Droit, Michel, Carmague. Ernest and Adair Heimann (trans.). London: George Allen and Unwin, 1963.
Fonseca, Isabel, Bury Me Standing: The Gypsies and Their Journey. New York: Knopf, 1996.
Kinsley, David R. Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition.' Berkeley: University of California Press, 1988.
Lee, Ronald, "The Rom-Vlach Gypsies and the Kris-Romani", in: Walter Weyrauch (ed.), Gypsy Law: Romani Legal Traditions and Culture, Berkeley: University of California Press, 2001.
McDowell, Bart, Gypsies: Wanderers of the World', Washington: National Geographic Society, 1970.
Weyrauch, Walter, "Oral Legal Traditions of Gypsies", in: Walter Weyrauch (ed.), Gypsy Law: Romani Legal Traditions and Culture, Berkeley: University of California Press, 2001.