Ronald David Mael (born August 12, 1945)[1] is an American musician, songwriter, composer and record producer.[2] He is the keyboard player and principal songwriter in the band Sparks, which he founded with vocalist, occasional songwriter and younger brother Russell Mael in 1971. Mael is known for his quirky and idiosyncratic approach to songwriting,[3] his intricate and rhythmic keyboard playing style and for his deadpan and low key, scowling demeanour onstage often remaining motionless over his keyboard in sharp contrast to Russell's animated and hyperactive frontman antics. Ron Mael is also noted for his conservative clothes and distinctive moustache. The Mael brothers are the founders of Lil' Beethoven Records.
Early life
Ronald David Mael was born on August 12, 1945, in Culver City, California. The Mael brothers grew up in Pacific Palisades – an affluent beach neighbourhood of Los Angeles – with their father, Meyer Mael,[4][5] who was a graphic designer and caricaturist for the Hollywood Citizen-News,[6][7] and their mother, Miriam (née Moskowitz), a librarian. Both Meyer and Miriam were the children of Jewish immigrants, Meyer from Russia and Austria and Miriam from Poland;[8][9] despite this, a source affiliated with the brothers' 2021 documentary stated that they "weren't raised, nor do they identify as Jewish", and the documentary does not mention their Jewish heritage.[10] Much of the Mael brothers' initial inspiration came from their father taking them to the cinema as children, where they developed an interest in film, visual arts and narrative. Meyer died when Mael was 11.[11]
After being educated at Palisades High School, both brothers enrolled at UCLA;[12] Ron began a course in cinema and graphic arts in 1963 while Russell studied theatre arts and filmmaking between 1966 and 1968.[13] It was during their time at UCLA the brothers formed their first band, The Urban Renewal Project, who recorded a series of demos in 1967.
Ron Mael plays the keyboards and synthesizers and writes most of the songs for Sparks. When the band hit the peak of its popularity in the 1970s, he was well known for his strange appearance, often remaining motionless over his keyboard in sharp contrast to Russell's animated and hyperactive frontman antics. Ron's conservative clothes and unfashionable, Charlie Chaplin-esque toothbrush moustache attracted much attention, as does his current pencil moustache. Onstage, Ron alternates between playing the keyboard and engaging in comic mime routines, often in connection with projections on backdrop. A feature of a live Sparks show is Ron's dance routine, which he continues to perform into his late 70s.
For the first two albums with Halfnelson/Sparks, Mael played a Wurlitzer electronic piano, but found that it did not stand up to road use because the metal reeds broke frequently. When Sparks relocated to the UK, Mael began using an RMI Electra-Piano, played through an Echoplex tape echo unit, and this distinctive sound featured prominently on their breakthrough single "This Town Ain't Big Enough For The Both Of Us", the albums Kimono My House and Propaganda and in their live shows. Since 1981, he has used various Yamaha and Roland keyboards and synthesizers live. That year, he altered the Roland logo on the back of his Roland Jupiter-8 to read "Ronald", which he has done on all of his keyboards since then.[14] He currently uses a Yamaha Motif XF8.
The pair appeared as themselves in the 1977 disaster filmRollercoaster, performing live. They also appeared in episode twenty-two of season six of the Gilmore Girls.
In a rare non-Sparks related musical turn, Ron and Russell Mael wrote the lyrics to Telex's 1982 album, Sex.
Mael dancing during a performance at the Royal Albert Hall in May 2023.
In 2017, a reviewer noted that while the brothers' biographies recount an LA childhood in which they surfed and were both models for mail order catalogues, their private lives are otherwise almost entirely unknown. "Well, we're in good company with Bob Dylan", was their reported response. "We feel the less you do know, it keeps the mythology and the image in a better position." Even to the question of whether they have partners or spouses, they refused to give an indication, insisting that "the vagueness is more interesting than the reality."[19]
^Axelrod, Merry Anne. "Re: (It's A Samuel) Mael World". Genealogy.com. Retrieved November 8, 2012. [The author is a cousin of Russell and Ron; her father, Alvin, is listed as being Meyer's brother on the 1940 census]
_(53008353617)_(cropped).jpg)
_(cropped).jpg)
