Robyn O'Neil (born 1977) is an American artist known for her large-scale graphite on paper drawings.[2] She was also the host of the podcast "ME READING STUFF".[3] In 2023, she retired from the art world by posting a Kristy McNichol quote on her Instagram account.[4] She launched a new podcast, called ROBYN'S GATE, in early 2024.[5]
O’Neil is known for her detailed narrative drawings that often contain art historical references and center on a theme of existential bleakness and absurdity.[7][2] Traditionally, her monochromatic drawings have depicted "apocalyptic" scenes in which small human figures engage in acts of violence and trauma.[2] Art critic Christopher French has noted of the artist's practice, "Inventing realities rather than describing aspects of nature, O'Neil's dreamlike vistas offer a potent combination of incorporated graphite collage elements so as to inject foreground detail into ambiguous and otherwise largely unmarked middle distances."[8]
Despite the dark nature of her work, positive signs for the future of life and humanity abound.[9] Susan Harris wrote for Art in America that the "[s]oft, velvety passages of shading; painstaking and lovingly articulated rhythms of line; and the implication of the artist's own hand and arm in gestures both small and grand are palpable evocations of the will to make something out of nothing..."[9]
In 2010, O'Neil received a FRAMEWORKS Grant from the Irish Film Board for a film written and directed by her titled “WE, THE MASSES,” which was conceived at Werner Herzog’s Rogue Film School.[23] O'Neil is the recipient of numerous grants and awards, including the Joan Mitchell Foundation Grant,[24] an Artadia grant,[25] and the Huntington Prize.[26] She was featured alongside author John Green on PBS Digital Studios'The Art Assignment in 2014.[27] A recent monograph of her work, Robyn O’Neil: 20 Years of Drawings, was published by Archon Projects in 2017.[28]
In 2016, O'Neil directed a community collaborative drawing project with Harvester Arts in Wichita, KS. The project, The Great Kansas Sea, was inspired by the Permian Sea that covered Kansas 250 million years ago. The massive seascape was created by 700 drawings submitted by 500 participants.[29]