Robert de Visée's place and date of birth are La Flèche, in 1652. He probably knew Francesco Corbetta and would have been familiar with his music. Fétis (1865, pp. 365–66) wrote that he studied with Corbetta and this information has been repeated uncritically in later sources including Strizich and Ledbetter 2001. It is however unsupported by documentary evidence (Charnassé, Andia, and Rebours 2001, p. 21). de Visée is first mentioned (by Le Gallois) in 1680, and at about that time he became a chamber musician to Louis XIV, in which capacity he often performed at court. In 1709, he was appointed as a singer of the royal chamber, and in 1719 was named 'Guitar Master of the King' (Maître de Guitare du Roi) to Louis XV, the ten-year-old great-grandson of Louis XIV, who succeeded to the throne in 1715. Jean Rousseau reported in a letter of 1688 that Visée was a respected musician at Versailles and played the viol (Strizich & Ledbetter 2001). He died in Paris on February 15, 1730, leaving his son François de Visée as his sole heir[1].
Works
Visée published two books of guitar music that contain twelve suites between them, as well as a few separate pieces: Livre de guitare dédié au roi (Paris, 1682) and Livre de pièces pour la guitare (Paris, 1686). He also published a collection of pieces for the theorbo and lute: Pièces de théorbe et de luth (Paris, 1716); these are in staff notation rather than tablature and may also be performed as ensemble pieces. The contents of all three books are tabulated with incipits and concordances in Rebours 2000. He composed many other pieces for theorbo and Baroque lute (the bulk of which are preserved in the Saizenay Ms.).
Complete list of de Visée's pieces for the guitar:
1682 Livre de Guitarre, dédie au roi:
Suite No. 1 in A Minor: Prélude – Allemande – Courante – Sarabande – Gigue – Passacaille – Gavotte – Gavotte – Bourrée
Suite No. 2 in A Major: Allemande – Courante – Sarabande
Suite No. 8 in G Major: Prélude – (Accord Nouveau) – Allemande – Courante – Sarabande – Gigue – Sarabande – Chaconne – Gavotte – Menuet – Bourrée
1686 Livre de Pieces pour la Guitarre:
Suite No. 9 in D Minor: Prélude – Allemande – Courante – Sarabande – Gigue – Gavotte – Bourrée – Menuet – Passacaille – Menuet
Suite No. 10 in G Minor: Prélude – Allemande – Courante – Sarabande – Gigue – Menuet – Chaconne – Gavotte – Bourrée – Menuet
Sarabande (A Minor)
Gigue (A Minor)
Sarabande (A Major)
Menuet (A Major)
Suite No. 11 in B Minor: Prélude – Allemande – Sarabande – Gigue – Passacaille
Suite No. 12 in E Minor: Sarabande – Menuet – Passacaille
Menuet (C Major)
Manuscript Pieces:
Pieces in A minor
Prélude
Allemande
Villanelle (& Contrepartie)
Pieces in A major
Prélude
Rondeau
Pieces in C major
Courante
Gigue
Pieces in D minor
Allemande 'La Royalle'
Sarabande
Masquerade
Gigue
Gavotte
Chaconne
Pieces in D major
Sarabande
Gavotte
Chaconne
Gavotte Rondeau (& Contrepartie)
Pieces in G minor
Prélude
Prélude
Allemande
Sarabande
Gavotte
Gavotte en Rondeau
Ouverture de la Grotte De Versaille (de Lully)
Entrée d’Appollon (de Lully)
Pieces in G major
Allemande
Courante
Sarabande
Gigue
Gigue
Musette (Rondeau)
Sources
Charnassé, Hélène, Rafael Andia, and Gérard Rebours. 2001. The Guitar Books of Robert de Visée. Paris: Editions Musicales Transatlantiques.
Fétis, François-Joseph. 1865. Bibliographie universelle des musiciens, second edition. Paris: Firmin-Didot.
Rebours, Gérard Rebours. 2000. Robert de Visée: Thematic Index with a Table of Concordances. Lyon: Symétrie.
Rebours, Gérard. 2005. "The Baroque Guitar in France and Its Two Main Figures: Robert de Visée and François Campion”. Michaelsteiner Konferenzberichte 66:195–210.
Strizich, Robert, and David Ledbetter. 2001. "Visée, Robert de". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
