Robert Beatty was born in 1981 on a cattle and tobacco farm in rural Kentucky near Nicholasville—"one of the most beautiful places in the world", according to Beatty.[6][7] Growing up, he "constantly" drew, teaching himself[8] and taking inspiration from MTV's series Liquid Television, Terry Gilliam's animated work, and Mad.[5] He began to experiment with his family camcorder, exploring circuit bending and video feedback,[8] and during high school later started investigating and playing music with a friend (Beatty was fond of music from Warp Records) and designing concert posters.[9]
Beatty never attended art school (or college at all),[10][11][12] instead moving to Lexington after high school.[6] He also worked for a time at radio station WRFL,[13] and supported himself for years working at a gas station and as a janitor.[6]
Artwork
Beatty's graphic design work employs a distinctive style which has been called "trippy",[14] "nostalgic",[15] "psychedelic",[11] "dark",[16] and "mystifying;"[17] Beatty tries to evoke a "weird sense of wonder."[7] He began working by hand and today mostly uses Adobe Illustrator and an old version of Photoshop[12] running on a ten-year-old computer[5] to perform his "digital airbrushing",[15] replicating and subverting traditional graphic design techniques using software.[18] However, Beatty says that his work often "goes back to drawing, because that's the simplest thing."[7] A prolific artist, Beatty has designed over 75 album covers;[2] after he decided to pursue creating art for other bands instead of just his own,[6] his album artwork rose in popularity with his covers for Challenger by Burning Star Core in 2008 and Tame Impala's Currents in 2015.[19][1][11]
In addition to album art, Beatty's illustration and design work has grown to include concert flyers,[20] magazines,[21] book covers,[22] fashion design,[23] music videos,[24] and news feature illustrations, with clients including Wired and the New York Times.[7][25][26] He has also released an artists' book, Floodgate Companion (2016), which Beatty "structured... more like an experimental film than a book." Beatty also designed the artwork for the soundtrack to the video game Thumper.[16] His video work has been featured at the Anthology Film Archives.[10] In 2019, Beatty created a lyric video for Cage the Elephant's song "House of Glass", from the album Social Cues.[4]
In 2018 he contributed "surreal"[27] art for use in fashion house Dries Van Noten's fall-winter 2018 collection,[23][28][29] with his work featured prominently in window displays at European retail locations.[5]
Beatty designed the cover art for historian and photographer Roger Steffens's anthology photobookThe Family Acid: California (2019).[26][30] His work Place Holder appeared at 21c Museum Hotel Lexington in 2019–20,[5] and his concert posters were featured in the 2020 exhibit Cricket Press, John Lackey, and Robert Beatty: Gig Posters and Music Ephemera at the Living Arts and Science Center in Lexington.[31]
Beatty performs electronic and noise music solo under his own name and formerly performed under the names Three Legged Race and Ed Sunspot,[32][33][34] co-founded Hair Police in 2001[35] (who went on to open for a Sonic Youth tour),[6] and is or has been a member of experimental and electronic bands Warmer Milks,[1] Burning Star Core, Eyes and Arms of Smoke,[3] and Lexington collective Resonant Hole.[32][11] He was also a member of Ulysses alongside Apples in Stereo members Robert Schneider and John Ferguson.[32] He records and produces music on old iPhones, stating he works with a "scavenger mentality" and "[doesn't] like to buy new things to make art or music with – I like to wait for things to come to me or to find things at thrift stores".[5]
In 2014 he released the album Soundtracks for Takeshi Murata under his own name.[36]
Beatty also masters music, including Public Housing's 2014 self-titled album.[35]
