Richard Thomas Gallienne was born at West Derby, Liverpool, England, eldest son of Jean ("John") Gallienne (1843-1929), manager of the Birkenhead Brewery, and his wife Jane (1839-1910), née Smith.[1] He attended the (then) all boys public school Liverpool College. After leaving school he changed his name to Le Gallienne and started work in an accountant's office in London. In 1883, his father took him to a lecture by Oscar Wilde in Birkenhead.[2] He soon abandoned this job to become a professional writer with ambitions of being a poet. His book My Ladies' Sonnets appeared in 1887, and in 1889 he became, for a brief time, literary secretary to Wilson Barrett. In the summer of 1888 he met Wilde, and the two had a brief affair. Le Gallienne and Wilde continued an intimate correspondence after the end of the affair.[2] Directly following this affair, Gallienne stayed with Joseph Gleeson White and his wife in Christchurch, Hampshire.[3]
He joined the staff of the newspaper The Star in 1891 and wrote for various papers under the name Logroller.[4] He contributed to The Yellow Book, and associated with the Rhymers' Club.
His first wife, Mildred Lee, and their second daughter, Maria, died in 1894 during childbirth, leaving behind Richard and their daughter Hesper Joyce. After Mildred's death he carried with him at all times, including while married to his second wife, an urn containing Mildred's ashes. Rupert Brooke, who met Le Gallienne in 1913 aboard a ship bound for the United States but did not warm to him, wrote a short poem "For Mildred's Urn" satirising this behaviour.[5][6]
In 1897 he married the Danish journalist Julie Nørregaard. She became stepmother to Hesper, and their daughter Eva was born 11 January 1899. In 1901 and 1902, he was a writer for The Rambler, a magazine produced by Herbert Vivian[7] intended to be a revival of Samuel Johnson's periodical of the same name.[8]
In 1903 Nørregaard left Richard, taking both of his daughters to live in Paris. Nørregaard later sent Hesper to live with her paternal grandparents in an affluent part of London while Eva remained with her mother. Julie later cited his inability to provide a stable home or pay his debts, alcoholism, and womanising as grounds for divorce. Their daughter Eva would grow up to take on some of her father's negative traits, including womanising and heavy drinking.[9]
Le Gallienne subsequently became a resident of the United States. He has been credited with the 1906 translation from the Danish of Peter Nansen's Love's Trilogy,[4] but most sources and the book itself attribute it to Julie. They were divorced in June 1911. On 27 October 1911, he married Mrs. Irma Perry (née Hinton), whose previous marriage to her first cousin, the painter and sculptor Roland Hinton Perry, had been dissolved in 1904.[10] Le Gallienne and Irma had known each other for some time and had jointly published an article as early as 1906.[11] Irma's daughter Gwendolyn Hinton Perry subsequently called herself "Gwen Le Gallienne" but was almost certainly not his natural daughter, having been born circa 1898.
From the late 1920s, Le Gallienne and Irma lived in Paris, where Gwen was by then an established figure in the expatriate bohème[12] and where he wrote a regular newspaper column.[9]
Le Gallienne lived in Menton on the French Riviera during the 1940s.[13] During the Second World War he was prevented from returning to his Menton home and lived in Monaco for the rest of the war.[13] His house in Menton was occupied by German troops and his library was nearly sent back to Germany as bounty. Le Gallienne appealed to a German officer in Monaco, who allowed him to return to Menton to collect his books.[13] During the war Le Gallienne refused to write propaganda for the local German and Italian authorities and, with no income, once collapsed in the street owing to hunger.[13]
Asked how to say his name, he told The Literary Digest the stress was "on the last syllable: le gal-i-enn'. As a rule I hear it pronounced as if it were spelled 'gallion,' which, of course, is wrong." (Charles Earle Funk, What's the Name, Please?, Funk & Wagnalls, 1936.)
A number of his works are now available online.
He also wrote the foreword to "The Days I Knew" by Lillie Langtry 1925, George H. Doran Company on Murray Hill New York.
Le Gallienne is buried in Menton in a grave whose lease (license No. 738 / B Extension of the Trabuquet Cemetery) does not expire until 2023.
Exhibitions
In 2016 an exhibition on the life and works of Richard Le Gallienne was held at the central library in his home city of Liverpool, England. Entitled "Richard Le Gallienne: Liverpool's Wild(e) Poet", it featured his affair with Oscar Wilde, his famous actress daughter Eva Le Gallienne and his personal ties to the city. The exhibition ran for six weeks between August and October 2016, and a talk about him was held at the Victorian Literary Symposium during Liverpool's Literary festival the same year.
Works
My Ladies' Sonnets and Other Vain and Amatorious Verses (1887)
Volumes in Folio (1889) poems
George Meredith: Some Characteristics (1890)
The Student and the Body Snatcher and Other Trifles with Robinson K. Leather (1890)
The Book-Bills of Narcissus (1891)
English Poems (1892)
The Religion of a Literary Man (1893)
Robert Louis Stevenson: An Elegy and Other Poems (1895)
^""The Laurel of Gossip" by Richard Le Gallienne and Irma Perry, The Smart Set, February 1906". {{cite journal}}: Cite journal requires |journal= (help)
"Richard Le Gallienne: A Bibliography of Writings About Him" (1976) Wendell Harris and Rebecca Larsen, English Literature in Transition (1880–1920), vol. 19, no. 2 (1976): 111–32.
"Decadence and the Major Poetical Works of Richard Le Gallienne" (1978) Maria F. Gonzalez, Unpublished PhD Thesis, University of Miami
"Le Gallienne's Paraphrase and the limits of translation" (2011) Adam Talib in FitzGerald’s Rubáiyát of Omar Khayyám: Popularity and Neglect, edited by Adrian Poole, Christine van Ruymbeke, William H. Martin and Sandra Mason, London: Anthem Press 2011, pp. 175–92.
M.G.H. Pittock, "Richard Thomas Le Gallienne", in Oxford Dictionary of National Biography, (c) Oxford University Press 2004–2014