After the war Leleu devoted himself almost exclusively to monumental sculpture.
He created the Monument à la Résistance of Bohain in 1946.
He then spent seven years to complete the Minotauromachie, which he showed at the Salon de la Jeune Sculpture in 1957.
He taught sculpture and art history at the École des beaux-arts in Valenciennes from 1950 to 1959.
He was then made a lecturer at the U.P. d'Architecture in Rouen.[3]
René Leleu created one of the bronze sculptures for the Mémorial de la France combattante at Mont Valérien in 1960.
It depicts a phoenix rising from its ashes, and represents the liberation of Alençon on 12 August 1944, the first step towards Paris and Strasbourg.[4]
He was a founding member of the Salon Comparaisons.
He died in Paris in 1984.[2]
Works
Sculptures by Leleu include:
Alençon, Mémorial de la France combattante, Mont Valérien
Héros mourant, plâster, Palais des beaux-arts de Lille
Combattant, bronze, Palais des beaux-arts de Lille
Le Silence, gilded bronze, Musée national d'art moderne Paris
Minotauromachie, plaster, musée des beaux-arts de Valenciennes.
Le penseur, reconstituted stone, Lycée Branly, La Roche-sur-Yon
Publications
Leleu completed Les métamorphoses de l'art in 1954. It was finally published posthumously through the efforts of Jean-Claude Poinsignon, who had organized an exhibition of Leleu's work in 1987 in the Hôtel de ville of Valenciennes.[3]
René Leleu (1990). Les métamorphoses de l'art. Valenciennes: Les Amis des arts de Valenciennes et du Hainaut français. p. 446.
References
^Leleu, René. "in: Le club français de la médaille". In memoriam (in French). Vol. Deuxième Semestre 1984. Paris: L'administration des monnaies et médailles. p. 61.