The first paintings for the Studiolo were completed by Andrea Mantegna, and he appears to have started this painting, but it was completed by Costa between 1506 - 1511, after Mantegna's death, when Costa had been named court painter.[1]
The iconography of this painting is complex. To the left of the foreground tree, a sitting Comus, the ruler of a land of bacchanals, with his head tilted looks at Venus. To his right, Apollo seems to serenade another sitting woman. In the center, Dionysus strokes the hair of a drunken maiden, identified as Nicaea. She had spurned his advances; and he overpowered her with wine in order to rape her.[2] Meanwhile, to the right of an elaborate arch, Janus bifrons and Hermes shoo away poorly clothed figures from the enjoyments of Comus.[3]
The elaborate painting may have a moral justifying some of the virtues of reveling, or perhaps it is a melancholic work which exalts as virtuous, only Nicaea, the one character oblivious to the orgies around her.