The Reich Chamber of Culture (Reichskulturkammer, abbreviated as RKK) was a government agency in Nazi Germany. It was established by law on 22 September 1933 in the course of the Gleichschaltung process at the instigation of Reich Minister Joseph Goebbels as a professional organization of all German creative artists.[1] Defying the competing ambitions of the German Labour Front (DAF) under Goebbels' rival Robert Ley, it was meant to gain control over the entire cultural life in Germany creating and promoting Aryan art consistent with Nazi ideals.
Every artist had to apply for membership on presentation of an Aryan certificate. A rejected inscription de facto resulted in an occupational ban.
SS officer Hans Hinkel was one of the officers in charge of the chamber and Goebbels' special commissioner for the removal of Jews from German cultural life.
Different subdivisions of the RKK dealt with film, music, visual arts, theatre, literature, media, and radio, organized in seven departments:
Goebbels visits the 1938 Entartete Kunst exhibition in Munich
The RKK played a significant role in the Nazi oppression of Modern art, defamed as "Cultural Bolshevism". One notable project of the Bildende Künste (Fine Arts) division under Adolf Ziegler was the Entartete Kunst exhibition, of works deemed "degenerate."[2] Opened in July 1937 at the Hofgarten in Munich, touring exhibitions were held from 1938 to 1941 in several major German cities such as Berlin, Leipzig, Düsseldorf, Salzburg, and Hamburg. Attendance was measured in the millions (perhaps largely because entrance was free), and the so-called degenerate art may have been more popular with the public than the Nazis anticipated. Goebbels had supported German expressionists until Hitler intervened and expressed his disgust at artists such as Max Liebermann and Emil Nolde. To raise cash for the Nazi war effort, certain art dealers were authorised to emigrate to New York to sell the art.[3]
^Cohan, William D. (2011-11-17). "MoMA's Problematic Provenances". ARTnews.com. Retrieved 2022-01-22. By November 1936, Valentin had made his deal with the Nazis that would allow him to emigrate to New York and to sell "degenerate art" to help fund the war effort.
Further reading
Petropoulos, Jonathan. Art as politics in the Third Reich (UNC Press Books, 1999) online.
Schoeps, Karl-Heinz. Literature and film in the Third Reich (Camden House, 2004). online
Steinweis, Alan E. "The professional, social, and economic dimensions of Nazi cultural policy: the case of the Reich Theater Chamber." German Studies Review 13.3 (1990): 441-459. online
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