In the fictional suburban commuter town of Putnam's Landing, Connecticut, public relations specialist Harry Bannerman is slowly going insane because his wife Grace insists on attending every local civic committee meeting. When the government selects the town for the site of a new missile base, Grace joins a committee to prevent it from being built.
Harry is made the liaison for the military, and Grace's activities cause him no end of trouble. Adding to the dilemma is Angela Hoffa, whose efforts to get Harry for herself lead to dizzying recriminations and misunderstandings.[3]
George Axelrod worked on the script for a year with McCarey. He later recalled they came up with an approach to do the film "but it was too far out for Buddy Adler", the head of production at Fox:
Max Shulman's book was a very funny book, and very literary, in that he used literary devices – which don't often translate to the screen very well. The story itself was rather boring, but the author's comments were funny. So I invented a narrator, named Max, who wove the film together. It was a throwback to the old Pete Smith comedy shorts. But they hated the idea of narration – just as they hate the idea of fantasy – so they threw it out. And then I had to spend a lot of time getting my name off the picture, because I don't want my name on something I didn't write.[4]
Production on Rally Round the Flag, Boys! started in mid-June 1958 and ended in mid-August. The role of Captain Hoxie was originally going to be portrayed by Paul Douglas, but was taken over by Jack Carson after Douglas fell ill, according to a July 1958 The Hollywood Reporter news item.[citation needed]
Rally Round the Flag, Boys! premiered in New York City theatres on December 23, 1958. It was released nationwide in February 1959.
Reception
On Rotten Tomatoes, the film holds an approval rating of 30% based on reviews from 10 critics, with an average rating of 5/10.[5]
Theme
Rally Round the Flag, Boys! presents a classic McCarey contretemps pitting socially unconventional and conventional characters of opposite sex, with an emphasis on sexuality and society as the “ultimately inseparable concerns in McCarey’s universe.”[6] Film historian and biographer Leland Poague writes:
In every case there is a central couple, partners who display an obvious unity of personal style and emotional purpose. In each instance their unity is threatened or called into question. And in each case the threat serves to clarify the emotional value to be found in sexual union.[7]
With Rally ‘Round the Flag, Boys!, McCarey returned to a genre with which he was familiar: screwball comedy. Biographer Wes D. Gehring discerns an echo of McCarey’s The Awful Truth (1937), with Joanne Woodward channeling screwball icon Carol Lombard. The generic screwball, involving “a disgruntled duo and a sexy third party” deviates in Rally from the formula when Cold War controversies emerge over a local nuclear missile base. Gehring notes that “classic screwball generally avoids the political.”[8]
Awards
Rally Round the Flag, Boys! was nominated for the Golden Laurel Awards held on September 23, 1959, and received fourth place for both Top Comedy Female Performance (Joanne Woodward) and Top Comedy. Director Leo McCarey was later nominated for the Directors Guild of America Award in 1960 for Outstanding Directorial Achievement in Motion Pictures for Rally Round the Flag, Boys!.
Footnotes
^Solomon, Aubrey (1989). Twentieth Century Fox: A Corporate and Financial History. The Scarecrow Filmmakers Series. Lanham, Maryland: Scarecrow Press. p. 251. ISBN978-0-8108-4244-1.
^"1959: Probable Domestic Take". Variety. January 6, 1960. p. 34.
^Poague, 1980 p. 225-226: See p. 226 for plot sketch.
^Gehring, 2005 p. 224-225: Also see Bosley Crowther review, regarding Woodward-Lombard link in New York Times, December 24, 1958, Gehring Notes p. 230, no. 33
