Pygmalion (album)

Pygmalion
Studio album by
Slowdive
Released6 February 1995 (1995-02-06)
StudioCourtyard (Sutton Courtenay)
Genre
Length48:11
LabelCreation
Producer
Slowdive chronology
5
(1993) 		Pygmalion
(1995) 		Catch the Breeze
(2004)
Slowdive studio album chronology
Souvlaki
(1993) 		Pygmalion
(1995) 		Slowdive
(2017)

Pygmalion is the third studio album by English rock band Slowdive, released on 6 February 1995 by Creation Records. It was the group's final album before their disbandment in 1995 and later reformation in 2014, and their only album with Ian McCutcheon, who had replaced Simon Scott on drums.

Composition

Pygmalion is a significant departure from the shoegaze style that Slowdive had established in their previous two studio albums, Just for a Day (1991) and Souvlaki (1993). The album features a more experimental sound tilted towards ambient electronic music,[3] with sparse, atmospheric arrangements. Pitchfork's Nitsuh Abebe described the album's songs as "ambient pop dreams" that are stylistically closer to post-rock, in the then-contemporary first wave of the genre, than the band's trademark style.[2] Regardless, BBC Music writer Wyndham Wallace still viewed Pygmalion as a shoegaze album, although not in the conventional sense of the style, noting that at points the album forgoes conventional percussion, or percussion in general, entirely.[3]

With the exception of the lyrics for the songs "Miranda" and "Visions of LA", which were written by Rachel Goswell, Pygmalion was composed by Neil Halstead.[4] Several songs on the album reflect Halstead's experimentation with digital technology and techniques such as looping and reverb. This was born out of his then-increasing fascination with electronica and dance music,[5] which he had been introduced to in 1992 by ex-Seefeel member Mark Van Hoen, who had played Aphex Twin's Selected Ambient Works 85-92 for Halstead.[6]

Release

Pygmalion was released on 6 February 1995 by Creation Records.[7] The cover illustration for the album, designed by Steven Woodhouse,[4] features imagery from Rainer Wehinger's graphic notation for György Ligeti's 1958 work Artikulation.[8] Though Slowdive had begun preparing for an expected tour of the United Kingdom in support of Pygmalion,[5] a week after the album's release Creation dropped Slowdive from its roster, and by the end of the year the band had split.[9][10]

The Sanctuary Records subsidiary label Castle Music issued a remastered edition of Pygmalion in 2005.[2][11] Cherry Red Records issued another remastered edition of the album on 16 August 2010, with a bonus disc consisting of demo versions of Pygmalion-era tracks.[12]

Critical reception and legacy

Professional ratings
Review scores
SourceRating
AllMusic[13]
The Guardian[14]
Mojo[15]
NME5/10[16]
Pitchfork8.7/10[2]
Q[17]
Record Collector[18]
Select2/5[19]
Sputnikmusic5/5[20]
Uncut8/10[21]

Pygmalion was largely overlooked by contemporary music critics, with competing musical trends and the radically different style of the album being main factors according to journalist Kieron Tyler; with the Britpop genre at the height of its popularity, Slowdive were seen as "past-their-sell-by-date shoegazers" by a music press who were more interested in covering the Britpop scene.[10] For instance, in Melody Maker, Jonathan Selzer dismissed Pygmalion as "an insipid attempt at prettiness".[22] John Harris wrote in NME that the album represented a seeming act of "career suicide" by the band, for whom he composed a mock epitaph: "Slowdive ... They could have had the world, but they decided to go all skeletal and wibbly and make sneakingly fascinating records that will sell absolutely fart all."[16] However, Q's Andrew Collins was positive and enthusiastic, saying that the album "basks splendidly in its own sod-you resonant shapelessness."[17] Caroline Sullivan of The Guardian was intrigued by the album's sound and quipped that it "should spark many a philosophy debate—after all, if music is this minimal, can it be said to exist at all?"[14]

In a retrospective review for Pitchfork in 2005, Nitsuh Abebe called Pygmalion "a detour of the best sort",[2] and in a separate appraisal for AllMusic, Abebe stated that "for anyone who appreciates the indirect and intangible, it's a stylistic masterpiece."[13] In his review for BBC Music, Wyndham Wallace wrote that Pygmalion "remains Halstead and Goswell's masterpiece",[3] while Head Heritage writer Rust Phimister said that with the album, "Slowdive distilled the expansive aural atmospheres of Souvlaki to perfection."[23] Trouser Press, however, found that Pygmalion "completely lacks all the tension, songwriting, sounds and power of the band's work, leaving only the spatial dimensions", deeming it "essentially a solo ambient recording" by Halstead "that should have been released under his own name".[24]

The Pygmalion song "Blue Skied an' Clear" was featured in the 1995 film The Doom Generation; Gregg Araki, the film's director, is an avowed fan of Slowdive.[10]

In 1999, critic Ned Raggett ranked Pygmalion at number 122 on his list of the best albums of the 1990s for Freaky Trigger.[25] In 2016, Pitchfork listed it as the 12th best shoegaze album of all time.[26] Pitchfork described Pygmalion as a "post-rock masterpiece" in a 2018 article that included quotes from several musicians professing appreciation for the record, including members of Low, The Twilight Sad, Deafheaven, Múm, A Place to Bury Strangers, Survive, and Girlpool.[27]

Track listing

All tracks are written by Neil Halstead, except where noted

No.TitleWriter(s)Length
1."Rutti" 10:02
2."Crazy for You" 6:00
3."Miranda"
4:48
4."Trellisaze" 6:18
5."Cello" 1:33
6."J's Heaven" 6:47
7."Visions of LA"
  • Halstead
  • Goswell
1:43
8."Blue Skied an' Clear" 6:52
9."All of Us" 4:08
Total length:48:11
2010 reissue bonus disc (Pygmalion Demos)
No.TitleWriter(s)Length
1."Miranda"
  • Halstead
  • Goswell
3:46
2."Watch Me" 3:45
3."Yesterday" 4:20
4."To Watch" 5:52
5."Option One (Instrumental #1)" 3:50
6."Cargo" 4:24
7."Sinewaves" 5:12
8."Ambient Guitar" 5:47
9."Crazy for You" (alt. version) 4:37
10."Prautrock" 5:05
11."Changes" 4:51
12."Red Five" 6:07
Total length:57:36

Personnel

Credits are adapted from the album's liner notes.[4]

Slowdive

  • Rachel Goswell – vocals, guitar
  • Neil Halstead – vocals, guitar
  • Christian Savill – guitar
  • Nick Chaplin – bass guitar
  • Ian McCutcheon – drums

Production

Design

  • Steven Woodhouse – cover illustration

Charts

Chart (1995) Peak
position
UK Albums (OCC)[28] 108
UK Independent Albums (OCC)[29] 7

References

  1. ^ Korber, Kevin (6 August 2015). "Holy Hell! Pygmalion Turns 20". Spectrum Culture. Retrieved 10 July 2017.
  2. ^ a b c d e f Abebe, Nitsuh (28 November 2005). "Slowdive: Just for a Day / Souvlaki / Pygmalion". Pitchfork. Retrieved 24 January 2016.
  3. ^ a b c d e Wallace, Wyndham (9 August 2010). "Slowdive Pygmalion Review". BBC Music. Retrieved 8 May 2016.
  4. ^ a b c Pygmalion (liner notes). Slowdive. Creation Records. 1995. crecd 168.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  5. ^ a b Watson, Ian (2005). "Slowdive: Pygmalion". Pygmalion (liner notes). Slowdive. Castle Music. CMQCD 1246. Retrieved 10 May 2021.
  6. ^ Clay, Joe (3 May 2017). "A Document in Time: Neil Halstead Of Slowdive's Baker's Dozen". The Quietus. Retrieved 1 September 2024.
  7. ^ "New Releases: Albums" (PDF). Music Week. 4 February 1995. pp. 34–35. Retrieved 10 May 2021.
  8. ^ "Pitchfork and Vinyl Me, Please Announce Slowdive Pygmalion Special Edition Reissue". Pitchfork. 15 November 2018. Retrieved 9 May 2021.
  9. ^ Moreland, Quinn (10 April 2017). "Slowdive on Their First Album in 22 Years and Why Shoegaze Came Back". Pitchfork. Retrieved 10 May 2021.
  10. ^ a b c Tyler, Kieron (2010). "Slowdive: Pygmalion". Pygmalion (liner notes). Slowdive. Cherry Red Records. CDBRED 463.
  11. ^ Pygmalion (liner notes). Slowdive. Castle Music. 2005. CMQCD 1246.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  12. ^ "Slowdive". Cherry Red Records. Archived from the original on 21 November 2010. Retrieved 9 May 2021.
  13. ^ a b Abebe, Nitsuh. "Pygmalion – Slowdive". AllMusic. Retrieved 24 January 2016.
  14. ^ a b Sullivan, Caroline (10 February 1995). "Slowdive: Pygmalion (Creation)". The Guardian.
  15. ^ Harrison, Ian (October 2010). "Slowdive: Pygmalion". Mojo. No. 203.
  16. ^ a b Harris, John (4 February 1995). "Slowdive: Pygmalion". NME. p. 43. Retrieved 9 August 2019.
  17. ^ a b Collins, Andrew (March 1995). "Slowdive: Pygmalion". Q. No. 102.
  18. ^ "Slowdive: Just for a Day / Souvlaki / Pygmalion". Record Collector. p. 86. [A] masterpiece. 'Rutti''s chiming, warm guitar and almost In a Silent Way-era Miles Davis-like percussion is just gorgeous...
  19. ^ Grundy, Gareth (March 1995). "Slowdive: Pygmalion". Select. No. 57. p. 88.
  20. ^ praise jimmy (14 November 2017). "Slowdive – Pygmalion (album review 2)". Sputnikmusic. Retrieved 20 August 2022.
  21. ^ Martin, Piers (October 2023). "The Road to Everything...". Uncut. No. 317. p. 20.
  22. ^ Selzer, Jonathan (4 February 1995). "Slowdive: Pygmallion". Melody Maker. p. 35.
  23. ^ Phimister, Rust (20 December 2008). "Slowdive – Pygmalion". Head Heritage. Retrieved 15 August 2016.
  24. ^ Rabid, Jack; Neate, Wilson. "Slowdive". Trouser Press. Retrieved 10 June 2016.
  25. ^ Raggett, Ned. "The Top 136 Or So Albums Of The Nineties". Freaky Trigger. Archived from the original on 20 January 2000. Retrieved 28 September 2011.
  26. ^ "The 50 Best Shoegaze Albums of All Time". Pitchfork. 24 October 2016. Retrieved 21 January 2018.
  27. ^ Hogan, Marc; Moreland, Quinn (6 December 2018). "Why Slowdive's Post-Rock Masterpiece Pygmalion Still Matters". Pitchfork. Retrieved 9 May 2021.
  28. ^ "Chart Log UK: DJ S – The System Of Life". Zobbel.de. Retrieved 9 August 2019.
  29. ^ "Independent Albums" (PDF). Music Week. 25 February 1995. p. 28. Retrieved 28 May 2021.

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