Rock band format having a lineup of electric guitar, bass, and drums
For the album by John Hicks, Cecil McBee and Elvin Jones, see Power Trio (album).
A power trio is a rock and roll band format having a lineup of electric guitar, bass guitar and drum kit, leaving out a dedicated vocalist or an additional rhythm guitar or keyboard instrument that are often used in other rock music bands that are quartets and quintets. Larger rock bands often use one or more additional rhythm sections to fill out the sound with chords and harmony parts.
Most power trios in hard rock and heavy metal music use the electric guitar player in two roles; during much of the song, they play rhythm guitar, playing the chord progression for the song and performing the song's important riffs, and then switching to a lead guitar role during the guitar solo. While one or more band members typically sing while playing their instruments, power trios in hard rock and heavy metal music generally emphasize instrumental performance and overall sonic impact over vocals and lyrics.[1]
History
The rise of the power trio in the 1960s was made possible in part by developments in amplifier technology that greatly enhanced the volume of the electric guitar and bass. Particularly, the popularization of the electric bass guitar defined the bottom end and filled in the gaps. Since the amplified bass could also now be louder, the rest of the band could also play at higher volumes while still being able to hear the bass. This allowed a three-person band to have the same sonic impact as a large band but left far more room for improvisation and creativity, unencumbered by the need for detailed arrangements. As with the organ trio, a 1960s-era soul jazz group centered on the amplified Hammond organ, a three-piece group could fill a large bar or club with a big sound for a much lower price than a large rock and roll band. A power trio, at least in its blues rock incarnation, is also generally held to have developed out of Chicago-style blues bands such as Muddy Waters' trio.
Well-known 1970s-era power trios include the Canadian progressive rock groups Rush and Triumph,[7] the American band ZZ Top,[8] the English heavy metal band Motörhead, and the Robin Trower Band. Emerson, Lake & Palmer (as well as its offshoot Emerson, Lake & Powell) is usually considered a power trio[9][10] as Keith Emerson fulfilled the rhythm and lead playing on the keyboards that would usually fall on the guitarist, while bassist (and occasional guitarist) Greg Lake on vocals. In 1968, the power trio Manal was formed in Argentina, and were the first group that composed blues music in Spanish.[11][12]
Budgie were a Welsh Blues rockheavy metal band from Cardiff who formed in 1967. The band are considered a classic power trio who released ten albums. Budgie were one of the earliest heavy metal bands, and, according to Garry Sharpe-Young were a seminal influence on many acts of that scene,[13] particularly the new wave of British heavy metal, and later acts such as Metallica, who covered "Breadfan" and "Crash Course in Brain Surgery" on their album Garage Inc.[14] The band have been noted as "among the heaviest metal of its day".[15]
^Cariappa, Shiv (January 8, 1997). "Interview With Gerry McAvoy". Christian Science Monitor. Archived from the original on 23 October 2014. Retrieved 22 June 2013. In the late 1960s, two music groups, Taste and Cream, blazed trails as definitive examples of rock's power-trios.