Robert Christgau opined that "this is a vision band with a genre, not a genre band with a vision."[10]The Advocate wrote that "there's a heaviness to the Klezmatics that's anathema to ordinary klezmer music, which by its very nature and function is escapist, even as it celebrates cultural cohesion."[12]
The Windsor Star stated that "the clarinet wails, the fiddle and horns sing, the beat is incessant, and the Yiddish vocals transcend the language barrier."[11] The Chicago Tribune thought that "Alicia Svigals' violin is a revelation, and Lorin Sklamberg's vocals—which can be as sublime as a cantor's or as sly as a drunk's—evoke the Jewish diaspora in both divine and uniquely American terms."[9]
AllMusic wrote that "while there is plenty of their familiar frenzied spiritual party music, there is also some goregeously evocative minor-key mysticism."[8]
Track listing
Shprayz Ikh Mir
Kolomeyke
Moroccan Game
An Undoing World
Mizmor Shir Lehanef (Reefer Song)
Shvartz Un Vays (Black and White)
Lomir Heybn Dem Bekher
Sirba Matey Matey
Mipney Ma
Beggars' Dance
Shnaps-Nign
Interlude
Dybbuk Shers
Fradde's Song
Der Shvatser Mi Adir (The Black Benediction)
Hinokh Yafo
Mipney Ma (reprise)
References
^Moed, Andrea (July 1997). "Best New Music". CMJ New Music Monthly (47): 10.