The Washington Post wrote that "the band mines familiar funk grooves with more than enough imagination and horn power to keep things fresh."[12] The Calgary Herald praised the "free flowing numbers that eschew harder edge riffs for music suited more for spliffs."[9]USA Today stated that "the commercially oriented backbeats and vocals (more singing than on their previous two albums) are counterbalanced by a tight horn section and jazzy, crisp arrangements."[11]
The Orange County Register opined that "the strength lies in vocalists Maysa Leak and Mark Anthoni, whose rich-sounding voices glide through each track as easily as a hot spoon through ice cream."[13]The Atlanta Journal-Constitution listed Positivity as one of the best R&B albums of 1994.[14]
AllMusic wrote that "group leader Jean-Paul 'Bluey' Maunick's vision of intertwine various genres of music (bebop, soul, classical, dance, etc.) into one incomparable sound is exemplary."[8]MusicHound R&B: The Essential Album Guide called "Deep Waters" a "landmark acid-jazz track."[10]
^Smith, Andrew (2 June 1995). "Still rising after all these years: Andrew Smith talks to Bluey Maunick, the Mr Consistency of jazz fusion". Features. The Guardian. p. 18.
^Stoute, Lenny (19 May 1994). "Incognito came to the Palladium with a rep as acid-jazz veterans...". Toronto Star. p. J11.
^Joyce, Mike (13 May 1994). "Inventive Incognito". The Washington Post. p. N16.
^Montero, David (April 22, 1994). "Galliano, Incognito albums blend a heap of influences". Show. Orange County Register. p. 48.
^Murray, Sonia (25 Dec 1994). "The Year's Best". The Atlanta Journal-Constitution. p. K14.
^"Incognito ARIA chart history to 2024". ARIA. Retrieved 21 July 2024 – via Imgur.com. N.B. The High Point number in the NAT column represents the release's peak on the national chart.