Porfiri Artemyevich Podobed (Russian: Порфирий Артемьевич Подобед; 16 October [O.S. 3 October] 1886 — 9 November 1965) was a Soviet film director, actor and manager at the Moscow Art Theatre.[1][2]
In 1915 Podobed joined the World War I. He served aboard the Gangut battleship and took part in the Gulf of Finland mining for which he was awarded the 3rd class Order of Saint Stanislaus.[5] On 19 October a mutiny happened among the lower ranking members which led to an investigation and a trial. According to the memoirs of one of the rebels, Dmitry Ivanov, Podobed was relieved of duty for expressing support to the sailors, but was later restored and returned to war. Ivanov also claimed that Podobed helped underground revolutionaries. Following the October Revolution he took part in the Russian Civil War and served in the Soviet Navy headquarters under Aleksandr Nemits.[5][6]
Career
In 1918 Podobed took a managing position at the Moscow Art Theatre headed by his relative Vladimir Nemirovich-Danchenko. He left it in 1919, but regained in 1921 following the demobilization and worked there up until 1926. He was one of the founders of the MKhAT Museum. His correspondence with Nemirovich-Danchenko contains many important facts about the theatre life during the New Economic Policy.[7] Also in 1918 Podobed performed his first role in the Swamp Mirages drama movie directed by Victor Tourjansky and based on the Swamp Lights novel by Vasily Nemirovich-Danchenko. The film was released only in 1923 and is considered lost today.[2][8]
In 1929 Vsevolod Meyerhold decided to make his directorial debut with Eugeny Bazarov, a film adaptation of the Fathers and Sons novel by Ivan Turgenev. He invited Podobed to be his assistant. The troubled pre-production lasted for three years, and the movie was finally abandoned.[10]
From 1930 to 1943 Podobed worked predominately with Yakov Protazanov, first as a camera assistant and then — as an assistant director and a co-director. From 1942 on he worked at Mosnauchfilm (known as Voentechfilm during the World War II) dedicated to popular science and educational films. He also taught filmmaking from 1920 to 1939.[1][2]