Pierre Olaf (né Pierre-Olaf Trivier; 14 July 1928 – 16 September 1995)[1] was a French actor, cabaret artist, and clown. He first achieved success as a stage actor in Paris in the musical revues of Robert Dhéry. He achieved particular acclaim in Dhéry's Jupon Volé (1954) and La Plume de Ma Tante (1955); the latter of which served as an international vehicle for him with productions in Paris, London's West End (1955-1958), and in New York City on Broadway (1958-1960). In 1959 he and the rest of the cast of La Plume de Ma Tante were awarded a non-competitive Special Tony Award. In 1962 he was nominated for a competitive Tony Award for his portrayal of Jacquot in the original Broadway production of Bob Merrill's Carnival! (1961).
Olaf began his career in French cinema in the 1950s. A friend of French director and writer Jean Renoir, he appeared in stage, television, and film works written and directed by him. He was a featured interviewee in the 1993 documentary film on Renoir. He also appeared in many films associated with Dhéry, and performed in both French and American films and television programs during the 1960s, 1970s, and 1980s. In 1962 he was a regular performer on Perry Como's Kraft Music Hall. Some of his notable Hollywood film credits include the Tony Curtis comedy Wild and Wonderful (1964), the James Garner and Dick Van Dyke comedy The Art of Love, and the Academy Award winning musical film Camelot (1967). One of his final screen credits was as Captain Rondicherry in the 1989 television miniseries Around the World in 80 Days made for CBS television.
On the stage, Olaf was frequently used in the comedic musical revues of Robert Dhéry in Paris during his early career.[1] The French director Jean Renoir cast Olaf as Roberto, a whistling pierrot, in his 1955 film French Cancan, after seeing his performance in Dhéry's 1954 Paris revue Jupon Volé.[8][1] Renoir became a close friend with Olaf during the making of this film, a friendship which lasted until Renoir's death in 1979.[1] Olaf starred as Philippe in Renoir's 1955 play Orvet at the Théâtre de la Renaissance.[9]
Of Dhéry musical reviews, the most highly regarded on the international stage was La Plume de Ma Tante; which was adapted for the West End's Garrick Theatre from its original French language Paris production by English songwriter Ross Parker.[10] Premiering in London in 1955, the production ran for two and a half years before transferring to Broadway's Royale Theatre in 1958.[11] Olaf portrayed multiple comedic roles in both the West End and Broadway productions, and was one of the production's main comedic talents.[1][10][11] In 1957 he appeared on BBC Television in "Jack Hylton presents The Robert Dhéry Show" which included adaptations from the West End musical among other material by Dhéry.[12] The entire cast of La Plume de Ma Tante, including Olaf, was awarded a Special Tony Award in 1959.[13]
"The real showman of the group is Pierre Olaf, the great French clown from 'La Plume de Ma Tante'. Olaf contribute's 'Carnival's' most effective production number, a bright exhilarating turn titled 'Grand Imperial Cirque de Paris'."[17]
Olaf recorded the role of Jacquot on the 1961 original cast album of the musical.[18] That Broadway cast recording reached No. 1 on the Billboard album chart, dated 17 July 1961.[19] Olaf later reprised the role of Jacquot at New York City Center in 1968 with the New York City Center Light Opera Company.[20][21]
In 1970, he reunited with Renoir to make the 1970 television film-series The Little Theatre of Jean Renoir; portraying Gustave in "La Cireuse électrique".[52][1][53] He was a featured interviewee in the 1993 documentary film on Renoir.[54]
In his latter years, Olaf lived in a small apartment in Montmartre, Paris which had window views that overlooked the Sacré-Cœur.[1] He died in Paris on 16 September 1995, aged 67.[1]
References
^ abcdefghijkRonald Bergan (22 September 1995). "Pierre Olaf: Surreal world of a pierrot". The Guardian. p. 17.
^Maurice Bessy, Raymond Chirat (1986). "Le Trésor des Pieds-Nickelés". Histoire du cinéma français encyclopédie des films, 1940-1950. Pygmalion. p. 522.
^Maurice Bessy, Raymond Chirat (1986). "Miquette et sa mère". Histoire du cinéma français encyclopédie des films, 1940-1950. Pygmalion. p. 518.
^Henri Langlois, Huguette Marquand Ferreux (1991). Musée du cinéma Henri Langlois: De l'expressionnisme allemand aux années cinquante. Maeght. p. 169.
^Maurice Bessy, Raymond Chirat (1987). "Soyez les bienvenus". Histoire du cinéma français encyclopédie des films, 1951-1955. Pygmalion. p. 192.
^Jean-Charles Sabria (1987). "Cinéma français les années 50 : les longs métrages réalisés de 1950 à 1959". Éd. du Centre Pompidou. p. 1952.
^Maurice Bessy, Raymond Chirat (1987). "Ah ! les belles bacchantes". Histoire du cinéma français encyclopédie des films, 1951-1955. Pygmalion. p. 341.
^Mosk (30 June 1954). "Legitimate: Plays Abroad - Jupon Vole". Variety. Vol. 195, no. 4. p. 58.
^Curt (11 May 1955). "Legitimate: Shows Abroad - Orvet". Variety. Vol. 198, no. 10. p. 66.
^ abMyro (Nov 9, 1955). "Legitimate: Shows Abroad - La Plume de ma Tante". Variety. Vol. 200, no. 10. p. 58.
^ ab"Legitimate: Show on Broadway; la plume". Variety. Vol. 212, no. 12. 19 November 1958. p. 72.
^Gray, Andrew. The Stage (Archive: 1880-1959); London (Feb 28, 1957). "TV PAGE: TeleBriefs?". No. 3, 959. p. 12.{{cite news}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
^"Film review: The Art of Love". Variety. Vol. 238, no. 12. 12 May 1965. p. 6.
^John Howard Reid (2006). "Too Many Thieves". Great Cinema Detectives: Best Movies of Mystery, Suspense & Film Noir. Lulu.com. p. 232. ISBN9781847286857.
^"FEATURE REVIEW: 'Camelot'". Boxoffice. Vol. 92, no. 2. 30 October 1967. p. 33.
^"Current Film Reviews: DON'T DRINK THE WATER". The Independent Film Journal. Vol. 64, no. 12. 12 November 1969. p. 1138.
^Alford, Walter (November 27, 1968). "International: Glazier's 'Gamblers', Lensed in Yugo, Putting Fresh Focus on Dubrovnik". Variety. Vol. 253, no. 2. p. 30.
^"THE GAMBLERS". Variety. Vol. 256, no. 4. 10 September 1969. p. 17.
^"FEATURE REVIEWS: THE GAMBLERS". Boxoffice. Vol. 96, no. 7. 1 December 1969. p. A11.
^Alan Goble, ed. (1991). The International Film Index, 1895-1990: Directors' filmography and indexes. Bowker-Saur.
^Harris M. Lentz (2001). Science Fiction, Horror & Fantasy Film and Television Credits: Filmography. McFarland & Company. p. 955.
^Fischer Film Almanach 1991. Fischer Taschenbuch Verlag. 1991. p. 22.
^"WB to Handle Tiger Films Short; Schoenfeld Another". Boxoffice. Vol. 90, no. 6. 28 November 1966. p. 12.
^Bob (20 June 1962). "Legitimate: Stock Reviews - Around the World In 80 Days". Variety. Vol. 227, no. 4. p. 64.
^"Legitimate: Stock Having Salubrious Summer; Ont. Fest $67,114, 'Fanny' 53G, Pitt". Variety. Vol. 227, no. 11. 8 August 1962. p. 57.
^"Legitimate: Pierre Olaf's Wanderings". Variety. Vol. 227, no. 8. 18 July 1962. p. 55.
^Green, Abel (7 August 1963). "Miscellany: Expo Execs Point to Many Showmen Who'll Insure a 'Fun' Fair in 1964". Variety. Vol. 231, no. 11. pp. 2, 58.
^ ab"Legitimate: Show on Broadway - A Murderer Among Us". Variety. Vol. 234, no. 6. 1 April 1964. pp. 80–81.