The poems extend to 18 folia (ff. 1r-17v, including a supernumerary fol. 9* inserted after fol. 9) and are followed by an 18th-century transcription of the same poems (ff. 18r-34r).
It is dedicated by the author to his mistress and future wife, Marguerite Bullioud.
The poems are in French, except for one in Italian, Segua piano filliolo myo (f. 7v).
The manuscript also includes 13 miniatures in colours and gold (on the recto of foll. 6 to 17), the one on f. 6r depicting Pierre Sala dropping his heart into a marguerite flower (viz. the namesake of his mistress'). Each miniature is facing a quatrain inscribed on a placard or scroll, accompanied above and below by the initials 'M' and 'P'.
The miniature on f. 17r is a portrait of Pierre Sala. The painter is identified as the Master of the Chronique scandaleuse (according to Avril and Reynaud 1993), except for the portrait, attributed to Jean Perréal (b. after 1450 - d. after 1530).
Manuscript measures are 13 cm x 9,5 cm and it was protected in a small case made of wood and golden green leather.
The manuscript and its case was lent to French Museum of Fine Arts of Lyon, for exhibition 'Lyon Renaissance. Arts et humanisme' from October 2015 to January 2016.
References
Elizabeth Burin, 'Pierre Sala's Pre-Emblematic Manuscripts', Emblematica, 2 (1988), 1-30.
Janet Backhouse and Yves Giraud, " Kommentar, Commentaire, Commentary" in: Pierre Sala: Petit Livre d'Amour, Stowe MS 955, British Library, London, Lucerne: Faksimile Verlag, 1994.
François Avril and Nicole Reynaud, Les manuscrits à peinture en France 1440-1520 (Paris: Flammarion, 1993), no. 208.