Peter David Eisenman (born August 11, 1932) is an American architect, writer, and professor. Considered one of the New York Five, Eisenman is known for his high modernist and deconstructive designs, as well as for his authorship of several architectural books. His work has won him several awards, including the Wolf Prize in Arts.[1]
He first rose to prominence as a member of the New York Five (also known as "the Whites"), along with fellow architects Charles Gwathmey, John Hejduk, Richard Meier, and Michael Graves. Some of their work was presented at a CASE Studies conference in 1969, catapulting their respective careers. Eisenman received a number of grants from the Graham Foundation for work done in this period[when?]. The New York Five began their careers by iterating on Le Corbusier's distinctive style, but they all subsequently developed unique styles and ideologies, with Eisenman becoming more affiliated with Deconstructivism.
His professional work is often referred to as formalist, deconstructive, late avant-garde, late and high modernist.[citation needed] The fragmenting of forms visible in some of his projects has been identified as characteristic of deconstructivism, and he has become one of the movement's flagbearer. In 1988, he was featured in the "Deconstructivists" exhibit at the Museum of Modern Art in New York.[6]
His writings have pursued topics including comparative formal analyses; the emancipation and autonomization of architecture; and histories of Architects. Architects he has written about include Giuseppe Terragni, Andrea Palladio, Le Corbusier and James Stirling. Additionally, he is featured in wide print and many films, including the 2008 film Peter Eisenman: University of Phoenix Stadium for the Arizona Cardinals in which he provides a tour of his recent construction.[citation needed]
Eisenman has won several awards, including the National Design Award for Architecture in 2001, and the Wolf Prize in Arts in 2010.[8][1] Peter Eisenman was shortlisted for the European Cultural Centre Architecture Award in 2016 and 2018.[citation needed]
Several criticisms have been waged against Eisenman over his designs, style, and perspective on the field of architecture. In 1972, Colin Rowe wrote that he pursued a physique form of European modernism rather than utopian social agendas.[9] And, more recently, accusations have been made that Eisenman's work is "post-humanist". His apathy towards the recent "green" movement, too has been considered polarizing or "out-of-touch". Despite these claims of polarity and divisiveness, Eisenman has famously pursued dialogues with important cultural figures internationally. These include his English mentor Colin Rowe, the Italian historian Manfredo Tafuri, George Baird, Fredric Jameson, Laurie Olin, Rosalind Krauss and Jacques Derrida.[10]
Another point of criticism over his work has been the state of some of his deconstructivist buildings. The Wexner Center, the first major public deconstructivist building, has required extensive and expensive retrofitting due to major design flaws, such as incompetent material specifications, and fine art exhibition space exposed to direct sunlight. It was frequently repeated that the Wexner's colliding planes tended to make its users disoriented to the point of physical nausea; in 1997 researcher Michael Pollan tracked the source of this rumor back to Eisenman himself. In architectural historian Andrew Ballantyne's opinion, "By some scale of values, he was actually enhancing the reputation of his building by letting it be known that it was hostile to humanity." Eisenman's House VI, designed for clients Richard and Suzanne Frank in the mid-1970s, also required several costly fixes resulting in the couple turning against Eisenman.
^Eran Neuman, Longing for the Impossible, Haaretz, 12 May 2010Archived 31 May 2017 at the Wayback Machine. Quote:""I didn't know I was Jewish until I encountered anti-Semitism at the age of 10..." Even though he grew up in a non-Zionist and assimilated family where his father held radical leftist views...."
^Eisenman, Peter; Iturbe, Elisa (7 July 2020). Lateness. Princeton University Press. ISBN9780691147222. Archived from the original on 31 October 2020. Retrieved 28 October 2020.
References
Interview: Peter Eisenman, Threshold, Rizzoli, 1983.
Kari Jormakka, Interview with Peter Eisenman, Datutop 14, 1991.
Ballantyne, Andrew (2002). What Is Architecture?. London: Routledge. ISBN0-415256-26-7.
Hendrix, John Shannon (2006). Architecture and Psychoanalysis: Peter Eisenman and Jacques Lacan. New York: Peter Lang. ISBN0-820481-71-8.
Pangalos P., Petridou V., The imprint of Eisenman, ed. Futura, Athens, 2013.