Panic premiered at the 2000 Sundance Film Festival,[2] and was later given a limited release in theaters in December of that year. The film received universal acclaim from critics, who in particular praised the performances of the acting ensemble.
Plot
Alex lives a double life: he is married with a day job, and is a professional hitman. Trained by his father Michael from youth, Alex is dissatisfied with his work and wishes to leave the business behind. He goes into psychotherapy with Dr. Josh Parks, disclosing that he is a hit man, and that he is attracted to a young woman he met in the waiting room. She is Sarah, 23, who is attracted to him as well, but does not want to get involved with a married man.
In flashbacks we see that Alex gets his start as a killer in the family business, at his father's prompting, from his killing of a squirrel as a young boy, to his first human victim as a teenager. Worried that Alex is informing on him, Michael gives Alex his next assignment: to kill Dr. Parks. Alex delays, while Dr. Parks, fearing for his own safety, contacts a police detective, Larson.
Alex keeps returning to Sarah, calling her, stopping by her apartment, as he decides what to do about the hit, his father, his marriage and his malaise. Eventually, he has an affair with Sarah. His wife soon discovers the affair and leaves him, not before he discovers that his father had been grooming his son, Sammy, as a future assassin. Determined not to let Michael ruin Sammy, too, he drives up to Michael's home and shoots him dead, only to be killed himself by Larson, who had been secretly following him.
The film received critical acclaim from critics, and holds a 91% "Fresh" rating on Rotten Tomatoes based on 56 reviews, with a consensus stating "This quirky little film about a gangster in therapy feels fresh and well-crafted."[3]Roger Ebert gave the film four stars out of four.[4]Leonard Maltin gave the film two and a half stars but praised the acting, calling it "excellent."[5] Lisa Nesselson of Variety wrote "Pic’s title implies frenzy and wild activity, but the film’s charm evolves from its measured, unhurried rhythms, and originality from the tone: quirky yet convincing, irreverent yet moral."[6]
