The album was the first product of Nilsson's three-year, $50,000 recording contract with RCA Victor, and was recorded in their Hollywood studio. Unlike virtually all his earlier records, Show employed the full potential of Nilsson's voice in the recording studio, turning him into what was described as a "chorus of ninety-eight voices".[citation needed]
The album debuted to little public attention in the US or the UK, although it was an immediate hit in Canada, where "You Can't Do That" was a top 10 hit. Beatles publicistDerek Taylor heard "1941" on his car radio waiting for his wife at the supermarket and, enjoying the track, ordered a case of copies, sending them out to various industry people he believed would be interested, including The Beatles, who later invited Nilsson to London and helped further his career.[citation needed]
A cover of "1941" by Canadian folk/rock artist Tom Northcott charted in both Canada and the US in 1968; in the same period the singer-songwriter Edoardo Bennato also covered it, with text translated into Italian.[citation needed]
Fellow musician and earlier collaborator Chip Douglas introduced Nilsson to The Monkees whom he was producing. Nilsson gave an impromptu audition of his latest songs. The Monkees covered two of his songs -"Cuddly Toy" (which appeared on their fourth album), and later "Daddy's Song" (which appeared on Head) - as well as becoming friends.[citation needed]
^Unterberger, Richie (January 1, 1997). "Harry Nilsson". In Bogdanov, Vladimir; Erlewine, Michael; Erlewine, Stephen Thomas; Unterberger, Richie; Woodstra, Chris (eds.). AllMusic Guide to Rock. San Francisco: Miller Freeman, Inc. p. 658.
^Strong, Martin C. (2006). The Essential Rock Discography. Edinburgh, UK: Canongate. p. 758. ISBN978-1-84195-827-9.