Paisley Rekdal is an American poet who is currently serving as Poet Laureate of Utah.[1] She is the author of a book of essays entitled The Night My Mother Met Bruce Lee: Observations on Not Fitting In, the memoir Intimate, as well as six books of poetry. For her work, she has received numerous fellowships, grants, and awards, including a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes in both 2009 and 2013, Narrative's Poetry Prize, the AWP Creative Nonfiction Prize, and several other awards from the state arts council. She has been recognized for her poems and essays in The New York Times Magazine, American Poetry Review, The Kenyon Review, The New Republic, Tin House, the Best American Poetry series, and on National Public Radio,[2] among others. She was also a recipient of a 2019 Academy of American Poets' Poets Laureate Fellowship.[3]
In 2018, Rekdal was awarded the Narrative Prize for a trilogy of poems, “Quiver,” “Telling the Wasps,” and “The Olive Tree at Vouves,” which combine "Keatsian lyricism with a mortal questioning of the nature of memory in the modern age."[15]
^Phillips, Emilia (Summer 2013). "Becoming Feral: a Review of Paisley Rekdal's Animal Eye". Kenyon Review. Retrieved 19 February 2014. Animal Eye reminds us that we don't know the limits of empathy, that we can't presume we're the only beings who recognize the familiar in another's gaze. What we recognize as familiar continually changes as we change, and we change by looking. And what is looking but the taking in of reflected light?
^Farmer, Jonathan (April 1, 2012). "Beauty and Violence". Slate. Retrieved 19 February 2014. In acknowledging the disappointing facts of our existence and singing her way into its amazement, she has created poetry that lives alongside the misery we sometimes witness—and sometimes cause.