A few days after shooting started, Clifton suffered a heart attack. Lupino stepped in to direct the film (which she co-wrote and co-produced) without taking credit (this was the last film that Clifton worked on but not his final overall effort, as two films of his would be released after his death on October 15, 1949).[2] The film's sets were designed by the art directorCharles D. Hall. Shooting took place at the Universal Studios.
Plot
A young woman is attracted to a travelling musician while feeling stifled at how her parents treat her. She abandons her home town to follow him but he has decided to move on to chase his dream career. After he has left, she finds out that she is pregnant and faces a decision over what to do about her impending baby. She gives the child away after giving birth but finds herself feeling guilty to the point where she snatches a child from a stroller. In the meantime, her employer at the gas station has fallen in love with her.
Lupino displays a documentary avidity for the details of work and play. She conveys Sally’s unworldly, impractical passion with tender, intimate closeups and an intense, effects-driven subjectivity—a hallucinatory sequence in a hospital is a masterpiece of low-budget Expressionism. An incongruous yet majestic chase scene, highlighting a photogenic array of Los Angeles locations, projects the intimate melodrama onto the world stage.[4]
