Norman Bel Geddes (born Norman Melancton Geddes; April 27, 1893 – May 8, 1958) was an American theatrical and industrial designer,[1] described in 2012 by the New York Times as "a brilliant craftsman and draftsman, a master of style, the 20th century’s Leonardo da Vinci."[2] As a young designer, Bel Geddes brought an innovative and energized perspective to the Broadway stage and New York’s Metropolitan Opera. In the 1930s he became one of the first to hold the title of Industrial Designer. His futuristic Streamline designs re-envisioned many of the utilitarian objects of the day from airliners and cruise ships to cocktail shakers and circuses. He also conceived and oversaw construction of the Futurama Exhibition at the 1939 New York World's Fair.
Early life
Bel Geddes was born Norman Melancton Geddes in Adrian, Michigan, and was raised in New Philadelphia, Ohio, the son of Flora Luelle (née Yingling) and Clifton Terry Geddes, a stockbroker.[3] When he married Helen Belle Schneider in 1916, they combined their names to Bel Geddes.[4] Their daughters were actress Barbara Bel Geddes[5] and writer Joan Ulanov.[6]
Bel Geddes opened an industrial-design studio in 1927, and designed a wide range of commercial products, from cocktail shakers to commemorative medallions to radio cabinets. His designs extended to unrealized futuristic concepts: a teardrop-shaped automobile, and an Art Deco House of Tomorrow.[8] In 1929, he designed "Airliner Number 4," a 9-deck amphibian airliner that incorporated areas for deck-games, an orchestra, a gymnasium, a solarium, and two airplane hangars.[9]
His book Horizons (1932) had a significant impact: "By popularizing streamlining when only a few engineers were considering its functional use, he made possible the design style of the thirties."[10] He wrote forward-looking articles for popular American periodicals.[11][12]
Bel Geddes designed the General Motors Pavilion, known as Futurama, for the 1939 New York World's Fair. For that famous and enormously influential installation, Bel Geddes exploited his earlier work in the same vein: he had designed a "Metropolis City of 1960" in 1936.[13]
The case for the Mark I computer was designed by Bel Geddes at IBM's expense, and put in place just in time for the machine's dedication at Harvard University.[15]
Death and legacy
Bel Geddes died in New York on May 8, 1958.[4] His autobiography, Miracle in the Evening, was published posthumously in 1960.
Bel Geddes is a member of the American Theater Hall of Fame, a distinction he shares with his daughter, actress Barbara Bel Geddes.[16] The United States Postal Service issued a postage stamp honoring Bel Geddes as a "Pioneer Of American Industrial Design".[17]
The archive of Norman Bel Geddes is held by the Harry Ransom Center at the University of Texas at Austin. This large collection includes models, drafts, watercolor designs, research notes, project proposals, and correspondence. The Ransom Center also holds the papers of Bel Geddes' second wife, the noted costume designer and producer Edith Lutyens Bel Geddes.[18]
Gallery
A drawing by Norman Bel Geddes
Model of teardrop-shaped automobile designed by Bel Geddes
General Motors 25th anniversary medal, 1933, featuring teardrop shaped car
"Through the City of Tomorrow Without a Stop", Shell Oil advertisement, 1937.
^Magic motorways by Norman Bel Geddes, 1940, pp. 43-56. Quote: "But these cars of 1960 and the highways on which they drive will have in them devices which will correct the faults of human beings as drivers. They will prevent the driver from committing errors. They will make it possible for him to proceed at full speed through dense fog."