PROFILPELAJAR.COM

No Mountains Poetry Project
Status	not currently active
Founded	1975
Founder	Amazingrace Coffeehouse, TriQuarterly Magazine, Whole Earth Center, The Ravine Press
Country of origin	USA
Headquarters location	Evanston, IL
Publication types	broadside series
Nonfiction topics	literary performance and the book arts

The No Mountains Poetry Project^[1] was a unique and popular interdisciplinary program of workshops, live readings, recordings, and letterpress broadsides located in Evanston, Illinois during the 1970s. Its objectives were to bring poets and writers together with academic and non-academic audiences in non-traditional settings, to encourage poetry-as-performance, and to collaborate with the book and poster arts.

The project was the result of a collaboration between TriQuarterly magazine, Amazingrace Coffeehouse, The Whole Earth Center,^[2] and the Ravine Press.

Participants

The series featured leading practitioners in a wide variety of styles. Diane di Prima and Anne Waldman represented the Beat tradition.^[3] ^[4] Ed Dorn was a member of the Black Mountain poets. John Hawkes was a proponent of postmodern literature. Robert Coover and William H. Gass worked in the style that has come to be known as metafiction. And Charles Bukowski has been characterized as a rock star “pulp” writer.^[5] Poet essayist, and short-story writer Tess Gallagher and poet Laura Jensen provided strong voices from the Pacific Northwest.

Several of the No Mountains Poetry Project participants went on to achieve Poet Laureate status. Diane di Prima was appointed Poet Laureate of San Francisco, ^[6] Mark Strand was the fourth US Poet Laureate^[7] and Galway Kinnell was Poet Laureate for Vermont.

Locations

The workshops took place on the campus of Northwestern University, primarily for the academic community. The performances for the larger community took place either at Amazingrace Coffeehouse (845 Main St., Evanston, IL) or the Whole Earth Center (530 Dempster St., Evanston, IL). The Charles Bukowski reading sold out all 400 seats available. The Whole Earth Center served as distributor for the authors’s books and the broadsides.

Broadsides

The limited edition broadsides were printed by The Ravine Press on a No. 4 Vandercook proof press on Arches paper. The color illustrations were done by Amazingrace using the hand-pulled screen printing process. Print runs varied from 150-199. Advisors were The Art Institute of Chicago on paper and ink, and the Newberry Library on typography. Complete sets are available for viewing at the New York Public Library Special Collections and the Northwestern University Library Archives, Amazingrace Coffeehouse collection.

Performance & Publication History

Date	Poet/Writer	Broadside Title	Edition Notes	Reading Location
Oct 1975	Anne Waldman	Dance Song	13” x 20”; 150 signed and numbered	Amazingrace
Oct 1975	Mark Strand	From Two Notebooks	10” x 20”; 150 signed and numbered	Amazingrace
Nov 1975	Robert Coover	The Fallguy’s Faith	13” x 20”; 150 signed and numbered	Amazingrace
Nov 1975	Charles Bukowski	winter	13” x 20”; 199 signed and numbered, with additional cartoon illustrations by the author	Amazingrace
Jan 1976	John Hawkes	Travesty	13” x 20”; 150 signed and numbered	Amazingrace
Feb 1976	Diane di Prima	The Bell Tower	13” x 20”; 150 signed and numbered	Amazingrace
Feb 1976	Ed Dorn	Hello, La Jolla	13” x 20”; 150 signed and numbered	Amazingrace
Apr 1976	William H. Gass	Mad Meg in the Maelstrom	13” x 20”; 150 signed and numbered	Amazingrace
Apr 1976	Galway Kinnell	Saint Francis and the Sow	13” x 20”; 150 signed and numbered	Amazingrace
May 1976	Tess Gallagher			Amazingrace
May 1976	Laura Jensen			Amazingrace
Sept 1976	Mark Strand	My Son	13” x 20”; 150 signed and numbered	Amazingrace
Nov 1976	Peter Michelson			Whole Earth Center
Dec 1976	Eugene Wildman			Whole Earth Center

References

^ Sullivan, James D. “On the Walls and in the Streets: American Poetry Broadsides from the 1960s.” University of Illinois Press, p. 188
^ ”The Whole Earth Center,” American Libraries, Mar 1975, p.148
^ Waldman, Anne, edt. “The Beat Book,” Shambala Publications, Boston, MA 1996, pp. xx-xxiv
^ Elkholy, Sharin, edt. “The Philosophy of the Beats.” The University Press of Kentucky, Lexington, KY 2012, pp. 19-29
^ Kirsch, Adam. “Smashed,” The New Yorker, Mar 14, 2005
^ Raskin, Jonah. “Interview with poet Diane di Prima,” SFGate, Nov 7, 2014
^ Library of Congress Information Bulletin, https://www.loc.gov/rr/program/bib/strand/strand.pdf