Neelima was born on 11 October 1921 in Bagerhat, Khulna to Zamindar Prafulla Roy Chowdhury and Kusum Kumari Devi.[4] Ibrahim passed her school leaving examination and entrance level examinations from the Khulna Coronation Girls' School in 1937 and from the Victoria Institution in Calcutta in 1939.[1] Later she earned bachelor's degrees in arts and teaching from the Scottish Church College, which was followed by an MA in Bengali literature from the University of Calcutta in 1943.[1] She would also earn a doctorate in Bengali literature from the University of Dhaka in 1959.[1][4]
Career
Neelima was a career academic. She taught in respectively the Khulna Coronation Girls' School, Loreto House, the Victoria Institution, and finally at the University of Dhaka, where she was appointed as a lecturer in 1956, and as a professor of Bengali in 1972.[4] She also served as the chairperson of the Bangla Academy, and as the Vice Chairperson of the World Women's Federation's South Asian Zone.[1][4]
In 1972, after the Bangladesh Liberation War, Ibrahim worked at centers set up to rehabilitate women who had been raped during the conflict.[5] Such women were accorded the title Birangona (war heroine) by the Government of Bangladesh,[6] but this did not prevent them from being stigmatized. Appalled by newspaper accounts that some victims of sexual violence preferred to be sent to prisoner of war camps in India with their Pakistani rapists, rather than endure familial rejection and social scorn in Bangladesh, Ibrahim was moved to interview them.[7][8]
She published a collection of seven of these first-person narratives in her two-volume Ami Birangona Bolchi (The Voices of War Heroines) in 1994 and 1995.[9] Social anthropologist Nayanika Mookherjee writes that, "The text suggests that ... 'traditional, backward Islamic norms' cause the rejection of raped women and contribute to their trauma."[9] Bangladeshi academic Firdous Azim describes the book as "path-breaking"[8] and "an integral part of a feminist historicizing of the war of liberation in Bangladesh."[7]
Works
Non-fiction
Sharat-Pratibha (The Creative Faculty of Sharatchanda), 1960,
Banglar Kavi Madhusudan (Madhushudan, the Poet of Bengal), 1961,
Unabingsha Shatabdir Bangali Samaj o Bangla Natak (Bengali Society and Bengali Drama in the 19th century), 1964,
Bangla Natak: Utsa o Dhara (Bengali Drama: Origin and Development), 1972,
Begum Rokeya, 1974,
Bangalimanas o Bangla Sahitya (Bengali Mentality and Bengali Literature), 1987,
Sahitya-Sangskrtir Nana Prasanga (Various Aspects of Literature and Culture), 1991
Fiction
Bish Shataker Meye (Girl of the Twentieth Century), 1958,
Ek Path Dui Bank (The Forked Road), 1958,
Keyabana Sancharini (Traveller of Keya Forest), 1958,
Banhi Balay (The Bangle of Fire), 1985
Plays
Due Due Char (Two and Two Make Four), 1964,
Je Aranye Alo Nei (The Dark Forest), 1974,
Rodjwala Bikel (The Sunburnt Afternoon), 1974,
Suryaster Par (After Sunset), 1974
Short stories
Ramna Parke (At Ramna Park), 1964
Translations
Eleanor Roosevelt, 1955,
Kathashilpi James Fenimor Cooper (Storyteller James Fenimore Cooper), 1968,
Bostoner Pathe Pathe (On the Streets of Boston), 1969
Travelogue
Shahi Elakar Pathe Pathe (Along the Royal Streets), 1963
Autobiography
Bindu-Bisarga (Dot and Ghost), 1991
Narratives/Ethnography
Ami Birangana Bolchhi (I, the Heroine, Speaks), 1996
^ abAzim, Firdous (Winter 2014 – Spring 2015). "Speaking the Unspeakable or the Limits of Representability". Society, Culture and Development. 41 (3/4): 252. JSTOR24390793.