Ruwet is best known for his work as a linguist and critic, but he was also a significant figure in musical analysis. He attempted to make his analyses completely objective by not making any a priori assumptions about how the music worked, instead breaking the piece down into small parts and seeing how those parts related to each other, thus discovering the syntax of the piece without reference to any external sources or norms. His work in this field constitutes a kind of musical semiology and his analytical methods were later named paradigmatic analysis.
Some of his musical analyses were published along with other works in Langage, musique, poésie [Speech, music, poetry] (1972).
Ruwet died in Paris.
Bibliography
(1967). Introduction à la Grammaire Générative. Plon.